 What then I was. The sounding cataract Haunted me like a passion: the tall rock. The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought...  Blackwood's Edinburgh Magazine - Стр. 2771838Полный просмотр - Подробнее о книге
 | Vinayak Krishna Gokak - 1975 - Страниц: 240
...tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me, An appetite; a feeling and a love, That had no need...supplied, nor any interest Unborrowed from the eye." It is clear that Wordsworth is here speaking of sensuous beauty. His impulses are intense and perfect.... | |
 | William Wordsworth, Samuel Taylor Coleridge - 2003 - Страниц: 356
...rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me 80 An appetite: a feeling and a love. That had no need of a remoter charm, By thought supplied, or any interest Unborrowed from the eye. - That time is past, And all its aching joys are now no more,... | |
 | Mary Wollstonecraft Shelley - 2004 - Страниц: 294
...tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to him An appetite; a feeling, and a love, That had no need of a remoter charm, By thought supplied, or any interest Unborrow'd from the eye.* And where does he now exist? Is this gentle and lovely being... | |
 | Roger Lewis - 2004 - Страниц: 490
...mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite . . . That time is past, And all its aching joys are now no more, And all its dizzy raptures. Burgess as he seemed to me then; as he seems to me now: it's a double story. How I was then; how I... | |
 | George Dekker - 2005 - Страниц: 342
...tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to him An appetite; a feeling, and a love, That had no need of a remoter charm, By thought supplied, or any interest Unborrowed from the eye. (116) But the fortunate Clerval is not subject to the developmental... | |
 | Kurt Fosso - 2004 - Страниц: 316
...laments his inability to "paint / What then [he] was" when "nature ... was all in all," was for him "a feeling and a love, / That had no need of a remoter charm, / By thought supplied" (73-76,81-83). The situation is in this respect similar to that dramatized in The Ruined Cottage. In... | |
 | Edith Milton - 2008 - Страниц: 267
...hedgerows, little lines / Of sportive wood run wild." I read the rest with him, silently over his shoulder: "That time is past, / And all its aching joys are now no more, / And all its dizzy raptures...." The farmer, I would like to remember, I would like at least to hope, received a life sentence in an... | |
 | Daryl Ogden - 2006 - Страниц: 288
...tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to him An appetite: a feeling, and a love, That had no need of a remoter charm, By thought supplied, or any interest Unborrowed from the eye. (77-84) These lines are employed by Frankenstein to mark the... | |
 | Jabrā Ibrāhīm Jabrā - 2005 - Страниц: 206
...passion; the tall rock, The mountain, and the deep and gloomy Their colors and their forms were then to me An appetite; a feeling and a love, That had no need of a remoter charm Unborrowecl trom the eye. I visited first the village of Grasmere in order to visit the house in which... | |
 | Uttara Natarajan, Tom Paulin, Duncan Wu - 2005 - Страниц: 216
...as the motives Wordsworth spoke of when describing a young man's love of freedom in 'Tintern Abbey': 'An appetite; a feeling and a love, / That had no need of a remoter charm'. This intuition, so close to the force of sensation, is an undercurrent of Hazlitt's argument which... | |
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