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" Whatever is fitted in any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive... "
Blackwood's Magazine - Стр. 250
1857
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Necessity of Artspeak: The Language of Arts in the Western Tradition

Roy Harris - 2003 - Страниц: 241
...sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in...strongest emotion which the mind is capable of feeling. (Burke 1759: VII) This is at first sight quite unconvincing. What Burke has defined seems to be something...
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"Homer des Nordens" und "Mutter der Romantik": James Macphersons ..., Объемы 1-2

Wolf Gerhard Schmidt - 2003 - Страниц: 612
...sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in...the strongest emotion which the mind is capable of feeling.294 Der Schrecken (terror) wird hier zum alleinigen Prinzip des Erhabenen.295 Da Burkes dualistisches...
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The Castle of Otranto and The Mysterious Mother

Horace Walpole - 2003 - Страниц: 364
...sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in...productive of the strongest emotion which the mind 1 Thomas Warton, "The Pleasures of Melancholy," line 44. Like Burkes oxymoronic "delightful terror,"...
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In the Mind's Eye: The Visual Impulse in Diderot, Baudelaire and Ruskin

Alexandra Wettlaufer - 2003 - Страниц: 316
...role of the sublime in the Romantic sensibility and early modem aesthetics. in any sort terrible or is conversant about terrible objects, or operates in...analogous to terror, is a source of the sublime." This pain and danger, generally associated with fear of death, are delightful according to Burke, when...
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Art in Its Time: Theories and Practices of Modern Aesthetics

Paul Mattick - 2003 - Страниц: 202
...sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror" — at any rate, "at certain distances" from danger, when fear gives way to the de\ightfu\ frisson...
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The Emergence of Modern Architecture: A Documentary History from 1000 to 1810

Alexander Tzonis - 2004 - Страниц: 554
...sort to excite the ideas of pain, and danger, that is to say whatever is in any sort terrible, or is conversant about terrible objects, or operates in...capable of feeling. I say the strongest emotion, because 1 am satisfied the ideas of pain are much more powerful than those which enter on the part of pleasure....
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The Artificial Horizon: Imagining the Blue Mountains

Martin Edward Thomas - 2004 - Страниц: 350
...sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in...strongest emotion which the mind is capable of feeling. Among the numerous examples that constitute the bulk of Burke's treatise is the case of a tower or...
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Jefferson's Garden

H. Peter Loewer - 2004 - Страниц: 280
...sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in...strongest emotion which the mind is capable of feeling." Jefferson himself also wrote several books, including The Garden and Farm Books, described by The Oxford...
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Gassen und Landschaften: Heimito von Doderers "Dämonen" vom Zentrum und vom ...

Gerald Sommer - 2004 - Страниц: 536
...sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in...the strongest emotion which the mind is capable of feeling.52 Burke beschreibt das Erstaunen (astonishment), verbunden „with some degree of horror",53...
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Victorian Demons: Medicine, Masculinity, and the Gothic at the Fin-de-siècle

Andrew Smith - 2004 - Страниц: 202
...sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in...manner analogous to terror, is a source of the sublime' (emphasis Burke's).4 De Quincey attempts to resolve this through a Kantian faith in the presence of...
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