...All thinking things, all objects of all thought, And rolls through all things. Therefore am I still And mountains ; and of all that we behold From this...— both what they half create,* And what perceive ; well pleased to recognize In nature and the language of the sense, The anchor of my purest thoughts,...

...All thinking things, all objects of all thought, And rolls through all things. Therefore am I still And mountains ; and of all that we behold From this...— both what they half create,* And what perceive ; well pleased to recognize In nature and the language of the sense, The anchor of my purest thoughts,...

...All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows, and the woods, And mountains;...— both what they half create, And what perceive. What is the meaning of it ? Does he simply CHAPTEU mean that sunsets and other sights of nature —...

...Romantic artists intuited long ago the subjectivity that modern science confirms. Wordsworth writes of all that we behold From this green earth; of all...— both what they half create, And what perceive. . . . ("Lines Composed a Few Miles above Tintern Abbey," 11. 104-7) And Melville insists, "Say what...

...require that we consider our own role in the creation of landscape: the implications of Wordsworth's "mighty world / Of eye and ear — both what they half create / And what perceive." 4 As medievalists presently contemplating the places of the past, we are presently implicated in our...

...require that we consider our own role in the creation of landscape: the implications of Wordsworth's "mighty world / Of eye and ear — both what they half create / And what perceive."4 As medievalists presently contemplating the places of the past, we are presently implicated...

...for the epistemological process itself, in its particular post-romantic situation entangled within "the mighty world / Of eye and ear, — both what they half create, / 9 The banality of one (re)current critical discovery that the object of knowledge is itself always...

...Abrams' famous book, The Mirror and the Lamp. When Wordsworth writes in "Tintern Abbey" about his love "of all that we behold / From this green earth; of all the mighty world / Of eye, and ear,—both what they half create, / And what perceive." 11 the reader understands that the half-perception...

...All thinking things, all objects of all thought. And rolls through all things. Therefore am I still A lover of the meadows and the woods And mountains;...ear - both what they half create. And what perceive; well pleased to recognise In nature and the language of the sense The anchor of my purest thoughts,...

...adapted to one another'. In one of the ensuing poems, he explained further that Therefore am I still A lover of the meadows and the woods, And mountains;...ear, both what they half create And what perceive; well pleased to recognise In nature and the language of the sense The anchor of my purest thoughts,...