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" correctness of the observation by Sir Joshua Reynolds, that' it is not the eye, it is the mind, which the painter of genius desires to address, that it is this intellectual dignity that ennobles the painter's art, that lays the line between him and the... "
History of the rise and progress of the arts of design in the United States - Стр. 128
авторы: William Dunlap - 1834
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The Discourses

Sir Joshua Reynolds - 1887 - Страниц: 330
...business of the art, there is no doubt, indeed, but the minute painter would be more apt to succeed; but it is not the eye, it is the mind which the painter of genius desires to address ; nor will he waste a moment upon those .smaller objects which only serve to catch- the sense, to divide...
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Free-hand Drawing: A Manual for Teachers and Students

Anson Kent Cross - 1895 - Страниц: 172
...business of the Art, there is no doubt, indeed, but the minute painter would be more apt to succeed ; but it is not the eye, it is the mind which the painter of genius desires to address ; nor will he waste a moment upon those smaller objects which only serve to catch the sense, to divide...
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Free-hand Drawing: A Manual for Teachers and Students

Anson Kent Cross - 1895 - Страниц: 174
...business of the Art, there is no doubt, indeed, but the minute painter would be more apt to succeed ; but it is not the eye, it is the mind which the painter of genius desires to address; nor will he waste a moment upon those smaller objects which only serve to catch the sense, to divide...
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Discourses Delivered to the Students of the Royal Academy

Sir Joshua Reynolds - 1905 - Страниц: 558
...business of the Art, there is no doubt, indeed, but the minute painter would be more apt to succeed; but it is not the eye, it is the mind which the painter of genius desires to address; nor will he waste a moment upon those smaller objects which only serve to catch the sense, to divide...
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Discourses Delivered to the Students of the Royal Academy

Sir Joshua Reynolds - 1905 - Страниц: 564
...business of the Art, there is no doubt, indeed, but the minute painter would be more apt to succeed; but it is not the eye, it is the mind which the painter of genius desires to address; nor will he waste a moment upon those smaller objects which only serve to catch the sense, to divide...
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The Literary Works of Sir Joshua Reynolds ...: With a Memoir by Henry ..., Том 1

Sir Joshua Reynolds - 1909 - Страниц: 518
...business of the art, there is no doubt, indeed, but the minute painter would be more apt to succeed ; but it is not the eye, it is the mind which the painter of genius desires" to address; nor will he waste a moment upon those smaller objects which only serve to catch the sense, to divide...
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The Divine Element in Art and Literature

William Lawrence Schroeder - 1916 - Страниц: 288
...life, and beauty constitute the essential appeal in painting. ' It is not the eye,' said Rey-nolds, ' it is the mind which the painter of genius desires to address ; nor will he waste a moment upon those smaller objects which only serve to catch the sense, to divide...
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The Divine Element in Art and Literature

William Lawrence Schroeder - 1916 - Страниц: 288
...life, and beauty constitute the essential appeal in painting. ' It is not the eye,' said Reynolds, ' it is the mind which the painter of genius desires to address ; nor will he waste a moment upon those smaller objects which only serve to catch the sense, to divide...
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A History of the Rise and Progress of the Arts of Design in the ..., Том 2

William Dunlap - 1918 - Страниц: 516
...with your mind as well as your face, to blend them on the canvas. You see I am fully apprised of the correctness of the observation by Sir Joshua Reynolds,..."But I hope I am not imposing upon you the task of a. five hours' sitting, the time occupied by Sir Joshua when he painted his celebrated portrait of...
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Coleridge, Lamb, Hazlitt, and the Reader of Drama

Janet Ruth Heller - 1990 - Страниц: 252
...that engages the imagination. Capturing every minute detail is less important than embodying an idea: "It is not the eye, it is the mind, which the painter of genius desires to address." 15 Coleridge adapts Reynolds's and Burke's concepts in his lectures, where he compares overly detailed...
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