 Shakespeare, that he assumes, as an unquestionable principle, a position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for reality ; that any dramatick fable...  William Shakespeare: The Critical Heritage - Стр. 15редактор(ы): - 1995 - Страниц: 568Ограниченный просмотр - Подробнее о книге
 | William Shakespeare - 1832 - Страниц: 364
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | Walter Scott - 1834 - Страниц: 424
...observance of the unities, suppose the audience to be lulled. To use the nervous words of Johnson, " It is false, that any representation is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited." There... | |
 | Sir Walter Scott - 1834 - Страниц: 418
...observance of the unities, suppose the audience to be lulled. To use the nervous words of Johnson, " It is false, that any representation is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited." There... | |
 | 1837 - Страниц: 348
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for reality, that any dramatic fable in its materiality was ever credible, or for a single moment was ever credited. " The... | |
 | 1837 - Страниц: 336
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for reality, that any dramatic fable in its materiality was ever credible, or for a single moment was ever credited. " The... | |
 | William Shakespeare - 1838 - Страниц: 1130
...position, which, while his breath is forming it into words, his understanding pronounces to be false. A ڻ 4`[ d3 ap dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | William Shakespeare - 1839 - Страниц: 550
...pronounces to be false. It is false, that any representaJ tion is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | William Shakespeare - 1841 - Страниц: 316
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | Sir Joshua Reynolds - 1842 - Страниц: 318
...of his preface to Shakespeare, in defending him from the critics regarding the unities, he says, " It is false that any representation is mistaken for reality; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | William Shakespeare - 1844 - Страниц: 348
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
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