Raven', as most generally known. It is my design to render it manifest that no one point in its composition is referable either to accident or intuition - that the work proceeded, step by step, to its completion with the precision and rigid consequence... The Critical Essays of a Country Parson - Стр. 226авторы: Andrew Kennedy Hutchison Boyd - 1867 - Страниц: 370Полный просмотр - Подробнее о книге
| Simon During - 2002 - Страниц: 358
...(his italics).7 Poe reveals here the procedure by which he composed his poem "The Raven," work which "proceeded, step by step, to its completion with the...and rigid consequence of a mathematical problem." In another of his own analogies, it was written with the care required to produce a spectacular theatrical... | |
| Steven Gould Axelrod, Camille Roman, Thomas Travisano - 2003 - Страниц: 770
...considered a desideratum, is quite independent of any real or fancied interest in the thing analysed, it will not be regarded as a breach of decorum on...precision and rigid consequence of a mathematical problem. Let us dismiss, as irrelevant to the poem perse, the circumstance — or say the necessity —which,... | |
| Steven Gould Axelrod, Camille Roman, Thomas Travisano - 2003 - Страниц: 770
...generally known. It is my design to render it manifest that no one point in its composition is referrible either to accident or intuition — that the work...precision and rigid consequence of a mathematical problem. Let us dismiss, as irrelevant to the poem perse, the circumstance— or say the necessity— which,... | |
| Peter K. Garrett - 2003 - Страниц: 260
...popular and the critical taste," and his elaborate account in "The Philosophy of Composition" of how "the work proceeded, step by step, to its completion...precision and rigid consequence of a mathematical problem" (15). On Poe's tales as elite appropriations of the "popular irrationalism" of contemporary sensational... | |
| Edgar Allan Poe - 2009 - Страниц: 580
...generally known. It is my design to render it manifest that no one point in its composition is refem'ble either to accident or intuition — that the work...precision and rigid consequence of a mathematical problem. Let us dismiss, as irrelevant to the poem per se, the circumstance — or say the necessity — which,... | |
| Donald Hall - 2004 - Страниц: 236
...of control: "[N]o one point in its composition is referable either to accident or intuition. . . . [T]he work proceeded step by step, to its completion,...precision and rigid consequence of a mathematical problem. "Telling us that he has decided to construct a poem, he must define "a poem": It shall not be long;... | |
| Paul Dawson - 2005 - Страниц: 268
...is my design', he wrote, 'to render it manifest that no one point in its composition is referrible either to accident or intuition - that the work proceeded,...precision and rigid consequence of a mathematical problem' (14—15). There has been persistent conjecture that 'The Philosophy of Composition' was a deliberate... | |
| Bruce Mills - 2005 - Страниц: 225
..."The Raven": "It is my design to render it manifest that no one point in its composition is referrible either to accident or intuition— that the work proceeded,...precision and rigid consequence of a mathematical problem."7 On one hand, then, Poe seems quite comfortable characterizing the artistic process in terms... | |
| James M. Hutchisson - 2005 - Страниц: 316
...no one point in [the poem's] composition" would be "referrible either to accident or intuition . . . the work proceeded, step by step, to its completion...precision and rigid consequence of a mathematical problem" (14—15). And later, speaking of the necessity of originality, Poe notes that it "is by no means a... | |
| Alberto Dallal - 2006 - Страниц: 568
...explicit about its intention: "It is my design to render it manifest that no one point in [the poem's] composition is referable either to accident or intuition...and rigid consequence of a mathematical problem." Poe claims to let the public "take a peep behind the scenes" and compares the creative process to a... | |
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