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" NAY, but this dotage of our general's O'erflows the measure : those his goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn, The office and devotion of their view Upon a tawny front : his captain's... "
The Dramatic Works of William Shakspeare - Стр. 83
авторы: William Shakespeare, William Harness - 1830
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Trageies

William Shakespeare - 1864 - Страниц: 648
...Philo. AY, but this dotage of our General's O'erflows the measure : those his goodly eyes, That o er the files and musters of the war Have glow'd like...heart, Which in the scuffles of great fights hath hurst The buckles on his breast, reneges all temper ; And is become the bellows and the fan To cool...
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Shakespeare's Styles: Essays in Honour of Kenneth Muir

Philip Edwards - 2004 - Страниц: 264
...eyes. That o'er the files and musters of the war Have glowed like plated Mars, now bend, now turn, 5 The office and devotion of their view Upon a tawny...is become the bellows and the fan To cool a gipsy's lust. [Flourish. Enter ANTONY, CLEOPATRA, her Ladies, the Train, with Eunuchs fanning her.] 10 Look...
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Shakespeare's Rome

Robert S. Miola - 2004 - Страниц: 264
...place of order, measure, and self-control - and Egypt - place of disorder, excess, and indulgence: Nay, but this dotage of our general's O'erflows the measure....is become the bellows and the fan To cool a gipsy's lust. (Iii-io) Few observe as well, however, that Philo's hyperbolical comparison of Antony to "plated...
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Shakespeare's Tragedies: An Introduction

Dieter Mehl - 1986 - Страниц: 286
...O'erflows the measure. Those his goodly eyes, That o'er the files and musters of the war Have glowed like plated Mars, now bend, now turn The office and...temper, And is become the bellows and the fan To cool a gypsy's lust. (1.1.1-10) With the stylized intensity of 'Roman' rhetoric, Antony's past greatness is...
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Shakespeare's Dramatic Transactions

Michael E. Mooney - 1990 - Страниц: 260
...As Waddington reminds us, Antony is linked to Mars from the start. In Philo's description Antony's "goodly eyes," That o'er the files and musters of...temper, And is become the bellows and the fan To cool a gypsy's lust. Here we are invited to measure Antony's temper, which, like glowing, "plated" metal,...
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The Idea of Spatial Form

Joseph Frank - 1991 - Страниц: 220
...Antony, for example, as Shakespeare presents him in the opening scene of Antony and Cleopatra: Nay, but this dotage of our general's O'erflows the measure:...is become the bellows and the fan To cool a gipsy's lust. And then, to complete the picture, Antony is contemptuously called the "triple pillar of the...
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Antony and Cleopatra

Harley Granville-Barker - 1993 - Страниц: 164
...though the task will be, he feels no need to economize his strength. He begins at what a pitch! Nay, but this dotage of our general's O'erflows the measure;...is become the bellows and the fan To cool a gipsy's lust. Ample and virile in substance, consonant in its music! One tremendous sentence, the ends of the...
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Broken Nuptials in Shakespeare's Plays

Carol Thomas Neely - 1985 - Страниц: 300
...Cleopatra by introducing the terms of the conventional dichotomy: Antony's eyes, which once "glowed like plated Mars, now bend, now turn / The office...And is become the bellows and the fan / To cool a gypsy's lust" (Ii4-10). The oppositions of hard/soft, rigid/tempered, glowing/bending express, in terms...
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Antony and Cleopatra

William Shakespeare - 1993 - Страниц: 166
...like plated Mars — now bend, now turn The office and devotion of their view Upon a tawny front: 1 his captain's heart, Which in the scuffles of great...is become the bellows and the fan To cool a gipsy's lust. Flourish. Enter ANTONY, CLEOPATRA, her ladies, the train, with eunuchs fanning her Look where...
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Men in Women's Clothing: Anti-theatricality and Effeminization, 1579-1642

Laura Levine - 1994 - Страниц: 200
...the behavior appropriate to men, the behavior of war, and turning instead to the behavior of love: Those his goodly eyes, That o'er the files and musters...office and devotion of their view Upon a tawny front. (Ii2-6)2 Literally the description is one of behavior, of a gaze changing, of eyes changing from one...
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