Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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Стр. 18
... there alone in the woods and do their stuff. Even Larry had moved to Southampton in '53—and stayed out there for five years. The tradition was really ingrained. But the sixties changed all that back again—from country to city. One of ...
... there alone in the woods and do their stuff. Even Larry had moved to Southampton in '53—and stayed out there for five years. The tradition was really ingrained. But the sixties changed all that back again—from country to city. One of ...
Стр. 23
... there was a band or if they all lip-synced to their own records, which was actually the way the kids liked it best ... There's no complex worldly wisdom! It's just good straightforward stuff with tremendous force and conviction!” (As I ...
... there was a band or if they all lip-synced to their own records, which was actually the way the kids liked it best ... There's no complex worldly wisdom! It's just good straightforward stuff with tremendous force and conviction!” (As I ...
Стр. 35
... there weren't really any young people here like there were in England—that kids here went from being juveniles straight into “young adults,” whereas in England the kids eighteen and nineteen were having a ball. Or starting to, anyway—it ...
... there weren't really any young people here like there were in England—that kids here went from being juveniles straight into “young adults,” whereas in England the kids eighteen and nineteen were having a ball. Or starting to, anyway—it ...
Стр. 37
... there were no superstars yet; in fact, I'd only just gotten my first 16-mm camera, a Bolex. Although I didn't buy a movie camera till some time in '63, it had certainly occurred to me to be a do-it-yourself filmmaker long before then ...
... there were no superstars yet; in fact, I'd only just gotten my first 16-mm camera, a Bolex. Although I didn't buy a movie camera till some time in '63, it had certainly occurred to me to be a do-it-yourself filmmaker long before then ...
Стр. 39
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Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York