The Rites of Identity: The Religious Naturalism and Cultural Criticism of Kenneth Burke and Ralph EllisonPrinceton University Press, 10 янв. 2009 г. - Всего страниц: 224 The Rites of Identity argues that Kenneth Burke was the most deciding influence on Ralph Ellison's writings, that Burke and Ellison are firmly situated within the American tradition of religious naturalism, and that this tradition--properly understood as religious--offers a highly useful means for considering contemporary identity and mitigating religious conflict. |
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... social role he is to play as designed for him by others. But all say essentially the same thing: 'Keep this nigger boy running.'”64 The theme of rejecting identities assigned by others is characteristically Emersonian. But embedded in ...
... social hierarchy. Burke takes biologic need quite seriously, for all symbolic needs are predicated upon adequate satisfaction of “animal” needs. In a note to a friend, Burke confided that if symbolism didn't figure in something so real ...
... social animals and a necessity for their association. For Burke, identity is thoroughly social. He writes, “The so-called 'I' is merely a unique combination of partially conflicting corporate we's.”90 Though this individual is marked by ...
... social beings.”97 We cannot even know differences without first isolating a common point of departure—no contest without common rules, no war without the commonalities internal to the warring parties, no different eye colors without ...
... social or not. Art by its nature is social. And while the artist can determine within a certain narrow scope the type of social effect he wishes his art to create, here his will is definitely limited. Once introduced into society, the ...
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The Rites of Identity: The Religious Naturalism and Cultural Criticism of ... Beth Eddy Ограниченный просмотр - 2009 |
The Rites of Identity: The Religious Naturalism and Cultural Criticism of ... Beth Eddy Недоступно для просмотра - 2003 |