Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
Результаты поиска по книге
Результаты 6 – 10 из 12
Стр. 18
... scene.” Larry sighed. “You wouldn't have liked it at all, Andy.” He was right. It was exactly the kind of atmosphere I'd pay to get out of. But it was fascinating to hear about, especially from Larry. The crowd at the opening had ...
... scene.” Larry sighed. “You wouldn't have liked it at all, Andy.” He was right. It was exactly the kind of atmosphere I'd pay to get out of. But it was fascinating to hear about, especially from Larry. The crowd at the opening had ...
Стр. 20
... scene fresh. He doesn't have any positions to defend or modify, no big time or money invested. He can be a brat, say whatever he pleases, support whatever and whoever he wants to without having to think, “Will they ever invite me to ...
... scene fresh. He doesn't have any positions to defend or modify, no big time or money invested. He can be a brat, say whatever he pleases, support whatever and whoever he wants to without having to think, “Will they ever invite me to ...
Стр. 28
... was ever lost on David, who later recalled the scene for me in detail: “You got out the Marilyns, and then, because Rauschenberg hadn't ever been to see your things, you showed him some of the early POPism: The Warhol Sixties 28.
... was ever lost on David, who later recalled the scene for me in detail: “You got out the Marilyns, and then, because Rauschenberg hadn't ever been to see your things, you showed him some of the early POPism: The Warhol Sixties 28.
Стр. 35
... on the filmmaking and literary circuit, going to all those holes-in-the-walls with Gerard. But I was still visiting all the galleries and keeping up with the art scene too. ••• In those days I didn't have a real fashion look 35 1960–1963.
... on the filmmaking and literary circuit, going to all those holes-in-the-walls with Gerard. But I was still visiting all the galleries and keeping up with the art scene too. ••• In those days I didn't have a real fashion look 35 1960–1963.
Стр. 36
... scene around Sixth Avenue and 8th Street was Flatbush Avenue, which was divided mostly between the collegiate-looking kids and the “hitters.” And then over on Kings Highway were the kids who lived with their parents and went to high ...
... scene around Sixth Avenue and 8th Street was Flatbush Avenue, which was divided mostly between the collegiate-looking kids and the “hitters.” And then over on Kings Highway were the kids who lived with their parents and went to high ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York