Coleridge and Shelley: Textual EngagementRoutledge, 23 мая 2016 г. - Всего страниц: 210 Sally West's timely study is the first book-length exploration of Coleridge's influence on Shelley's poetic development. Beginning with a discussion of Shelley's views on Coleridge as a man and as a poet, West argues that there is a direct correlation between Shelley's desire for political and social transformation and the way in which he appropriates the language, imagery, and forms of Coleridge, often transforming their original meaning through subtle readjustments of context and emphasis. While she situates her work in relation to recent concepts of literary influence, West is focused less on the psychology of the poets than on the poetry itself. She explores how elements such as the development of imagery and the choice of poetic form, often learnt from earlier poets, are intimately related to poetic purpose. Thus on one level, her book explores how the second-generation Romantic poets reacted to the beliefs and ideals of the first, while on another it addresses the larger question of how poets become poets, by returning the work of one writer to the literary context from which it developed. Her book is essential reading for specialists in the Romantic period and for scholars interested in theories of poetic influence. |
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... perhaps not coincidental that of the major Romantic poets Shelley and Coleridge appear to have been the most prodigious readers. The range of reference in their prose and poetry, encompassing diverse subject matter, indicates how fully ...
... perhaps not coincidental that of the major Romantic poets Shelley and Coleridge appear to have been the most prodigious readers. The range of reference in their prose and poetry, encompassing diverse subject matter, indicates how fully ...
Стр. 3
... perhaps surprising, given the attention paid in The Anxiety of Influence to poetry as a 'family romance', where the ephebe must struggle with and ultimately mortally wound his poetic 'father' in order to establish and maintain his own ...
... perhaps surprising, given the attention paid in The Anxiety of Influence to poetry as a 'family romance', where the ephebe must struggle with and ultimately mortally wound his poetic 'father' in order to establish and maintain his own ...
Стр. 5
... perhaps also illuminating paragraphs of The Anxiety of Influence: All criticisms that call themselves primary vacillate between tautology – in which the poem is and means itself – and reduction – in which the poem means something that ...
... perhaps also illuminating paragraphs of The Anxiety of Influence: All criticisms that call themselves primary vacillate between tautology – in which the poem is and means itself – and reduction – in which the poem means something that ...
Стр. 9
... perhaps way elaborate that psychic as unoriginality, defenses trope repetition against or derivation, is here equated, at the level of language, with literalism. If poetry is an attempt to articulate ideas or experience in a new way ...
... perhaps way elaborate that psychic as unoriginality, defenses trope repetition against or derivation, is here equated, at the level of language, with literalism. If poetry is an attempt to articulate ideas or experience in a new way ...
Стр. 17
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Содержание
1 | |
Early Engagements | 17 |
The presence of Coleridge in Shelleys Alastor Volume | 41 |
The Voices of Mont Blanc | 73 |
The vitally metaphorical in This LimeTree Bower and To a SkyLark | 99 |
The Legacy of Coleridges Mariner in Shelleys Prometheus Unbound Volume | 123 |
Afterword | 175 |
Bibliography | 185 |
Index | 195 |
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