Coleridge and Shelley: Textual EngagementRoutledge, 23 мая 2016 г. - Всего страниц: 210 Sally West's timely study is the first book-length exploration of Coleridge's influence on Shelley's poetic development. Beginning with a discussion of Shelley's views on Coleridge as a man and as a poet, West argues that there is a direct correlation between Shelley's desire for political and social transformation and the way in which he appropriates the language, imagery, and forms of Coleridge, often transforming their original meaning through subtle readjustments of context and emphasis. While she situates her work in relation to recent concepts of literary influence, West is focused less on the psychology of the poets than on the poetry itself. She explores how elements such as the development of imagery and the choice of poetic form, often learnt from earlier poets, are intimately related to poetic purpose. Thus on one level, her book explores how the second-generation Romantic poets reacted to the beliefs and ideals of the first, while on another it addresses the larger question of how poets become poets, by returning the work of one writer to the literary context from which it developed. Her book is essential reading for specialists in the Romantic period and for scholars interested in theories of poetic influence. |
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... Defence of Poetry Fair Copies: Bodleian MSS. Shelley e. 6 and Shelley adds d. 8, ed. Michael O'Neill (1994); vol. 21, Miscellaneous Poetry, Prose, and Translations from Bodleian MS. Shelley adds. c. 4, etc., ed. E.B. Murray (1995); vol ...
... Defence of Poetry Fair Copies: Bodleian MSS. Shelley e. 6 and Shelley adds d. 8, ed. Michael O'Neill (1994); vol. 21, Miscellaneous Poetry, Prose, and Translations from Bodleian MS. Shelley adds. c. 4, etc., ed. E.B. Murray (1995); vol ...
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... defence against the hegemony of previous poetic utterance, in which that new poet, or 'ephebe', must 'misread' the works of his precursors in order to deviate from them in a way which assures his continued survival as a new and ...
... defence against the hegemony of previous poetic utterance, in which that new poet, or 'ephebe', must 'misread' the works of his precursors in order to deviate from them in a way which assures his continued survival as a new and ...
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... defence the case, not as against is indicated specific by Bloom's poems, but comments against regarding the irrelevance of the sort of 'source study' which I have suggested to be at the very least the basis for an investigation of ...
... defence the case, not as against is indicated specific by Bloom's poems, but comments against regarding the irrelevance of the sort of 'source study' which I have suggested to be at the very least the basis for an investigation of ...
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... defence and repression. It is in A Map of Misreading that Bloom first links six rhetorical tropes to each of his revisionary ratios, a schema which he continues to develop in both Poetry and Repression and his essay 'The Breaking of ...
... defence and repression. It is in A Map of Misreading that Bloom first links six rhetorical tropes to each of his revisionary ratios, a schema which he continues to develop in both Poetry and Repression and his essay 'The Breaking of ...
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... defence to encompass more fully the poetic product as 25 24 Hollander, The Figure of Echo, p. 114. 25 Harold Bloom, Kabbalah and Criticism (New York, 1975; repr. 1993), pp. 89–90. well as its producer, his continued insistence on the ...
... defence to encompass more fully the poetic product as 25 24 Hollander, The Figure of Echo, p. 114. 25 Harold Bloom, Kabbalah and Criticism (New York, 1975; repr. 1993), pp. 89–90. well as its producer, his continued insistence on the ...
Содержание
1 | |
Early Engagements | 17 |
The presence of Coleridge in Shelleys Alastor Volume | 41 |
The Voices of Mont Blanc | 73 |
The vitally metaphorical in This LimeTree Bower and To a SkyLark | 99 |
The Legacy of Coleridges Mariner in Shelleys Prometheus Unbound Volume | 123 |
Afterword | 175 |
Bibliography | 185 |
Index | 195 |
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