The Works of Eminent Masters in Painting, Sculpture, Architecture and Decorative Art, Объемы 1-2;Том 130John Cassell |
Результаты поиска по книге
Результаты 1 – 5 из 100
Стр. 22
... original , and Hogarth made his debut as a satirist . The incident which revealed the bent of his talents was amusing enough . He went one Sunday to Highgate with two of his companions , during his apprenticeship . The weather was warm ...
... original , and Hogarth made his debut as a satirist . The incident which revealed the bent of his talents was amusing enough . He went one Sunday to Highgate with two of his companions , during his apprenticeship . The weather was warm ...
Стр. 29
... of Landseer's " Twa Dogs " being rendered on wood ; and the extreme fidelity with which our artist has copied the peculiarities of the original cannot be too highly commended . much to be inferred , sets us off in imagination. LANDSEER .
... of Landseer's " Twa Dogs " being rendered on wood ; and the extreme fidelity with which our artist has copied the peculiarities of the original cannot be too highly commended . much to be inferred , sets us off in imagination. LANDSEER .
Стр. 36
... original - because with extra- ordinary good fortune he united the strong and simple powers of observation of the Flemings with the elegance and nobility of the Italians - because his works possess at the same time ingenuity and ...
... original - because with extra- ordinary good fortune he united the strong and simple powers of observation of the Flemings with the elegance and nobility of the Italians - because his works possess at the same time ingenuity and ...
Стр. 54
... original . Weisbrod retired to Hamburgh towards the year 1780 , if we may judge from the date which appears upon his engravings , and there engraved several landscapes of his own composition , but he could not avoid imitating the ...
... original . Weisbrod retired to Hamburgh towards the year 1780 , if we may judge from the date which appears upon his engravings , and there engraved several landscapes of his own composition , but he could not avoid imitating the ...
Стр. 56
... original than the Carrachi , than the eclectics who mingled the school of Rome with the school of Parma , Raphael with Corregio , and took their subjects and their figures from every quarter . What gives Jouvenet his best claim to ...
... original than the Carrachi , than the eclectics who mingled the school of Rome with the school of Parma , Raphael with Corregio , and took their subjects and their figures from every quarter . What gives Jouvenet his best claim to ...
Часто встречающиеся слова и выражения
admirable Adrian Albert Cuyp Albert Durer amateurs animals Antwerp appears artist Asselyn beauty Berghem Bourdon Brauwer Breughel canvas celebrated character charming church Claude Lorraine collection colour composition copy Cuyp David drawing Duke Dutch effect engraved excellent executed exhibited expression eyes father figures finished Flemish flowers foreground France French gallery genius give grace hand head horse Huysum imitation Italy Jan Steen Karel Dujardin lady landscape Lebas light lived look Louis XIV Louvre manner master Michael Angelo Miéris Murillo Museum nature Neer never Ostade Oudry painter painting palace Paris passion Paul Bril pencil Philippe Lebas picture pieces portrait possessed Poussin Prince produced pupil Rembrandt rendered represented Rome Rubens says scene sculpture Sebastien Bourdon seen sketch sold style talent taste thought tion Titian tone touch trees truth Vandervelde Vandyck Velasquez Velde Vernet Virgin woman young
Популярные отрывки
Стр. 81 - Horribly beautiful ! but on the verge, From side to side, beneath the glittering morn, An Iris sits, amidst the infernal surge, Like Hope upon a death.bed, and, unworn Its steady dyes, while all around is torn By the distracted waters, bears serene Its brilliant hues with all their beams unshorn : Resembling, 'mid the torture of the scene, Love watching Madness with unalterable mien.
Стр. 77 - The various terrors of that horrid shore ; Those blazing suns that dart a downward ray, And fiercely shed intolerable day ; Those matted woods where birds forget to sing, But silent bats in drowsy clusters cling; Those poisonous fields with rank luxuriance crown'd, Where the dark scorpion gathers death around ; Where at each step the stranger fears to wake The rattling terrors of the vengeful snake...
Стр. 164 - Rise the blue Franconian mountains, Nuremberg, the ancient, stands. Quaint old town of toil and traffic, quaint old town of art and song, Memories haunt thy pointed gables, like the rooks that round them throng: Memories of the Middle Ages, when the emperors, rough and bold, Had their dwelling in thy castle, time-defying, centuries old; And thy brave and thrifty burghers boasted, in their uncouth rhyme, That their great imperial city...
Стр. 256 - Round-hoofd, short-jointed, fetlocks shag and long, Broad breast, full eye, small head, and nostril wide, High crest, short ears, straight legs and passing strong, Thin mane, thick tail, broad buttock, tender hide : Look, what a horse should have he did not lack, Save a proud rider on so proud a back.
Стр. 273 - Linger awhile upon some bending planks That lean against a streamlet's rushy banks, And watch intently Nature's gentle doings : They will be found softer than ring-dove's cooings.
Стр. 62 - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look, how the floor of heaven Is thick inlaid with patines of bright gold; There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins: Such harmony is in immortal souls...
Стр. 81 - The roar of waters ! — from the headlong height Velino cleaves the wave-worn precipice The fall of waters ! rapid as the light The flashing mass foams shaking the abyss ; The hell of waters ! where they howl and hiss. And boil in endless torture ; while the sweat Of their great agony, wrung out from this Their Phlegethon, curls round the rocks of jet That gird the gulf around, in pitiless horror set...
Стр. 81 - Lo ! where it comes like an eternity, As if to sweep down all things in its track, Charming the eye with dread — a matchless cataract...
Стр. 62 - Night, sable goddess ! from her ebon throne, In rayless majesty, now stretches forth Her leaden sceptre o'er a slumbering world. Silence how dead ! and darkness how profound ! Nor eye nor listening ear an object finds ; Creation sleeps. Tis as the general pulse Of life stood still, and Nature made a pause ; An awful pause ! prophetic of her end.
Стр. 90 - who takes for his model such forms as nature produces, and confines himself to an exact imitation of them, will never attain to what is perfectly beautiful. For the works of nature are full of disproportion, and fall very short of the true standard of beauty. So that Phidias, when he formed his Jupiter, did not copy any object ever presented to his sight; but contemplated only that image which he had conceived in his mind from Homer's description.