Picturing the 'Pregnant' Magdalene in Northern Art, 1430-1550: Addressing and Undressing the Sinner-Saint

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Ashgate Publishing, Ltd., 1 янв. 2014 г. - Всего страниц: 290
Examining innovations in Mary Magdalene imagery - including her dress - in northern art 1430 to 1550, Penny Jolly explores how the saint’s widespread popularity drew upon her ability to embody oppositions and embrace a range of paradoxical roles: sinner-prostitute and saint, erotic seductress and holy prophet. Analyzing paintings by Rogier van der Weyden, Quentin Massys, and others, Jolly investigates artists’ and audiences’ responses to increasing religious tensions, expanding art markets, and changing roles for women.
 

Содержание

rogier van der Weydens
63
Quentin Massys Mary Magdalene
109
the Master of the Female halflengths
153
adriaen isenbrant and the Master
179

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Об авторе (2014)

Penny Howell Jolly is Professor of Art History at Skidmore College, USA.

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