Controversy in Literature: Fiction, Drama, and Poetry, with Related CriticismMorris Freedman, Paul Benjamin Davis Scribner, 1968 - Всего страниц: 750 |
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Стр. 111
... asked me where I was going and , when I had told him a second time he asked me did I know The Arab's Farewell to his Steed . When I left the kitchen he was about to recite the opening lines of the piece to my aunt . I held a florin ...
... asked me where I was going and , when I had told him a second time he asked me did I know The Arab's Farewell to his Steed . When I left the kitchen he was about to recite the opening lines of the piece to my aunt . I held a florin ...
Стр. 185
... asked . " No , " Clayton said . " I don't like it . " " Why not ? " Francis asked . " Well , there's a lot here I don't approve of , " Clayton said gravely . “ Things like the club dances . Last Saturday night , I looked in toward the ...
... asked . " No , " Clayton said . " I don't like it . " " Why not ? " Francis asked . " Well , there's a lot here I don't approve of , " Clayton said gravely . “ Things like the club dances . Last Saturday night , I looked in toward the ...
Стр. 567
... asked in our poem ( of which the first two are purely rhetorical ) , I see the apex of a line that develops from empathy to objectivity . The first question ( " How can those terrified vague fingers push . . . ? " ) is entirely ...
... asked in our poem ( of which the first two are purely rhetorical ) , I see the apex of a line that develops from empathy to objectivity . The first question ( " How can those terrified vague fingers push . . . ? " ) is entirely ...
Содержание
The Scope of Swifts Satire | 3 |
Ambiguity and Mystery in Hawthorne | 15 |
NATHANIEL HAWTHORNE | 26 |
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Abraham Absurd ANDERSON answer appear asked ASLAKSEN beauty become believe brother BURGOMASTER called close comes course CREON criticism dead dear death door DUDGEON effect expression eyes face fact faith father fear feeling follow give goes hand happy head hear heard heart hold HOVSTAD human idea interpretation JONATHAN JUDITH keep leave light live look MADAME ROSEPETTLE meaning mind mother move nature never night NUMBER once passed perhaps PETRA play poem poet poetry present question reality RICHARD ROSALIE seems sense soul speak stand STOCKMANN story sure tell Theatre thee thing thou thought town true truth turn understand veil voice waiter walks whole young