The Concert-goer's Library of Descriptive Notes, Том 5Oxford University Press, H. Milford, 1938 |
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Стр. 21
... theme . This is re - echoed by the flutes . Again we return to the introductory figures , followed by a horn solo in E minor , which leads to the reappearance of the principal theme ( for clarinets ) , now given by the bassoons and ...
... theme . This is re - echoed by the flutes . Again we return to the introductory figures , followed by a horn solo in E minor , which leads to the reappearance of the principal theme ( for clarinets ) , now given by the bassoons and ...
Стр. 24
... theme . These two ideas - the murmuring breeze and the graceful dance - persist to the close of the Introduction ... principal theme merges into a quaver passage , which is continued with a faintly echoed counter- phrase for horns , and ...
... theme . These two ideas - the murmuring breeze and the graceful dance - persist to the close of the Introduction ... principal theme merges into a quaver passage , which is continued with a faintly echoed counter- phrase for horns , and ...
Стр. 48
... principal theme , and after some development a fugato section is reached ― ' a little quieter ' . There is no strict imitation ; the main theme remains predominant and is treated largely in sequences . In the next section , marked ...
... principal theme , and after some development a fugato section is reached ― ' a little quieter ' . There is no strict imitation ; the main theme remains predominant and is treated largely in sequences . In the next section , marked ...
Часто встречающиеся слова и выражения
accom Adagio Alcina Allegretto Allegro Andante announced arpeggio ascending bars bass bassoons brass cantabile celesta cellos chords chromatic climax Coda composer Concerto Conservatoire cor anglais dance drums Dvořák elaborate fanfare Finale flute flute and clarinet follows fortissimo Fugue full orchestra give given harp heard horns intro introduced Janáček leads maestoso melody ment minor moderato molto mood mosso motive movement ends muted strings oboe octaves opera orchestra original theme Overture passages pedal phrase pianissimo piano piano enters Pianoforte piccolo pizzicato played poco Prince principal subject principal theme Quartet quaver recapitulation repeated repetition Rhapsody rhythm rhythmic scherzando Scherzo score second subject second violins semiquaver Sibelius Smetana solo instrument solo violin soloist song staccato Suite Swan Swan of Tuonela Swan-White Symphonic Poem Symphony syncopated Taras Bulba tempo thematic material timpani tion trombones trumpets Tsar Tsar Dodon tuba tune Tuonela unison Variation violas violins vivace wind wood-wind