The Concert-goer's Library of Descriptive Notes, Том 5Oxford University Press, H. Milford, 1938 |
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Стр. 28
... orchestra with liberal ' extras ' . The orchestra and the piano are more or less on equal terms , various other instruments sharing in the pianist's 28 Symphonic Movements Variations on a Nursery Song for Orchestra and Piano Obbligato, Op.
... orchestra with liberal ' extras ' . The orchestra and the piano are more or less on equal terms , various other instruments sharing in the pianist's 28 Symphonic Movements Variations on a Nursery Song for Orchestra and Piano Obbligato, Op.
Стр. 42
... orchestra , the piano being occupied mean- while with florid passages . In the più mosso which forms the peroration of the exposition the second subject is given in diminution ; while at the climax the orchestra presents it with much ...
... orchestra , the piano being occupied mean- while with florid passages . In the più mosso which forms the peroration of the exposition the second subject is given in diminution ; while at the climax the orchestra presents it with much ...
Стр. 47
... orchestra , the solo part becoming more and more complex . Again the orchestra takes up the theme and repeats it over the octave pedal . Twenty - five bars before the end the solo instru- ment breaks in with heavy chromatic chords in ...
... orchestra , the solo part becoming more and more complex . Again the orchestra takes up the theme and repeats it over the octave pedal . Twenty - five bars before the end the solo instru- ment breaks in with heavy chromatic chords in ...
Часто встречающиеся слова и выражения
accom Adagio Alcina Allegretto Allegro Andante announced arpeggio ascending bars bass bassoons brass cantabile celesta cellos chords chromatic climax Coda composer Concerto Conservatoire cor anglais dance drums Dvořák elaborate fanfare Finale flute flute and clarinet follows fortissimo Fugue full orchestra give given harp heard horns intro introduced Janáček leads maestoso melody ment minor moderato molto mood mosso motive movement ends muted strings oboe octaves opera orchestra original theme Overture passages pedal phrase pianissimo piano piano enters Pianoforte piccolo pizzicato played poco Prince principal subject principal theme Quartet quaver recapitulation repeated repetition Rhapsody rhythm rhythmic scherzando Scherzo score second subject second violins semiquaver Sibelius Smetana solo instrument solo violin soloist song staccato Suite Swan Swan of Tuonela Swan-White Symphonic Poem Symphony syncopated Taras Bulba tempo thematic material timpani tion trombones trumpets Tsar Tsar Dodon tuba tune Tuonela unison Variation violas violins vivace wind wood-wind