Strands Afar Remote: Israeli Perspectives on ShakespeareAvraham Oz University of Delaware Press, 1998 - Всего страниц: 307 This book is a collection of essays on Shakespeare and his contemporaries by Israeli writers. Topic matter includes friendship and love in the Merchant of Venice, Augustinian metaphor in As You Like It, motive, and meaning in All's Well That Ends Well, Shakespeare's translation into Hebrew, and so forth, as well as an afterword by the editor. |
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Стр. 10
... tion on Goethe's Faust and the Bourgeois Spirit . From 1939 until his death in 1972 , he was noted as one of the most controversial figures in Israeli literary criticism . Holding the Chair of Hebrew and Comparative Literature at Bar ...
... tion on Goethe's Faust and the Bourgeois Spirit . From 1939 until his death in 1972 , he was noted as one of the most controversial figures in Israeli literary criticism . Holding the Chair of Hebrew and Comparative Literature at Bar ...
Стр. 11
... tion , although the implications of that kind of meeting point is not necessarily articulated by , or marked as the main stress of most of the following articles . As the chapter by Harai Golomb that concludes the body of these essays ...
... tion , although the implications of that kind of meeting point is not necessarily articulated by , or marked as the main stress of most of the following articles . As the chapter by Harai Golomb that concludes the body of these essays ...
Стр. 18
... seems to think when he counters Cleopatra's opening ques- tion in Antony and Cleopatra with a challenge to the very notion of quantity as demeaning : There's beggary in the love that can be reckon'd ( 18 ZVI JAGENDORF.
... seems to think when he counters Cleopatra's opening ques- tion in Antony and Cleopatra with a challenge to the very notion of quantity as demeaning : There's beggary in the love that can be reckon'd ( 18 ZVI JAGENDORF.
Стр. 26
... tion is familiar , seen as a crux where money and sexuality meet , it moves our interpretation a step forward.3 Like Bassanio's tale Shylock's is a parable ; it has a lesson al- though he , unlike the young Christian , does not bother ...
... tion is familiar , seen as a crux where money and sexuality meet , it moves our interpretation a step forward.3 Like Bassanio's tale Shylock's is a parable ; it has a lesson al- though he , unlike the young Christian , does not bother ...
Стр. 40
... tion , repetition , echo , reversal , " — language that privileged sound over sense . " This similarity of sound , " writes Braunmuller , " among words and phrases overrides the semantic , conventional , unthinkingly assumed difference ...
... tion , repetition , echo , reversal , " — language that privileged sound over sense . " This similarity of sound , " writes Braunmuller , " among words and phrases overrides the semantic , conventional , unthinkingly assumed difference ...
Содержание
17 | |
38 | |
St Augustine Metaphor in As You Like It | 51 |
The Desire for Representation and the Rape of Voice | 62 |
Identity and Agency in Shakespeares | 87 |
Motive and Meaning in Alls Well That Ends Well | 113 |
The Isolation of the Tragic Protagonist | 138 |
The Politics of Tamburlaine and Julius Caesar | 151 |
Hamlets Entrails | 177 |
Othello and Woyzeck as Tragic Heroes According to Aristotle and Hegel | 204 |
Coriolanus and the Compulsion to Repeat | 232 |
A Study in Historical Poetics | 255 |
Prosper Our Colours A CaseNoncase for National Perspectives on Shakespeare and his Contemporaries | 276 |
Index | 301 |
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Achilles Adelman All's Antonio Arden Aristotle Bassanio Bertram Bialik biblical body Caesar character chivalric Christian classical Claudius comedy contemporary context Coriolanus critics cultural death death instinct Desdemona desire for representation discourse dramatic early modern English essay fantasy father figure fort/da game Freud Hamlet Haskala hath Hebrew Hegel Helena human Iago Ibid ideal identity ideological interpretation Israeli jealousy Jerusalem Jewish Julius Caesar King Lacan language literary London Lucrece Madonna male means Merchant of Venice mirror stage Moor Morocco mother motive narrative nature Nietzsche Othello Parolles play play's Pleasure Principle plot poet poetic poetry political Portia Problem Comedies protagonists reading Renaissance repetition rhetorical Richard scene sense sexual Shake Shakespeare Shylock sonnet soul speak stag symbolic Tamburlaine theater thou tion tragedy tragic conflict tragic hero trans translation Troilus and Cressida Ulysses University Press voice woman words Woyzeck York
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Стр. 64 - The eye of man hath not heard, the ear of man hath not seen; man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.
Стр. 148 - Cold fearful drops stand on my trembling flesh. What do I fear ? myself ? there's none else by : Richard loves Richard ; that is, I am I. Is there a murderer here ? No. Yes, I am : Then fly. What, from myself ? Great reason why : Lest I revenge.
Стр. 18 - It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.
Стр. 180 - Will sate itself in a celestial bed, And prey on garbage. But, soft! methinks, I scent the morning air; Brief let me be: — Sleeping within mine orchard, My custom always of the afternoon, Upon my secure hour thy uncle stole, With juice of cursed hebenon in a vial, And in the porches of mine ears did pour The leperous distilment...
Стр. 60 - tis to pity and be pitied, Let gentleness my strong enforcement be : In the which hope I blush, and hide my sword.
Стр. 64 - I have had a most rare vision. I have had a dream, — past the wit of man to say what dream it was : man is but an ass, if he go about to expound this dream.
Стр. 78 - There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body. O, these encounterers, so glib of tongue, That give a coasting welcome ere it comes. And wide unclasp the tables of their thoughts To every ticklish reader ! set them down For sluttish spoils of opportunity, And daughters of the game. [Trumpet within. All. The Trojans
Стр. 105 - Force should be right; or rather, right and wrong, Between whose endless jar justice resides, Should lose their names, and so should justice too. Then every thing includes itself in power, Power into will, will into appetite; And appetite, an universal wolf, So doubly seconded with will and power, Must make perforce an universal prey, And last eat up himself.