Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 71
( emphases mine ) It is in the very last scenes of the play , after Iago's last trick has been disclosed and after ... In Act V , scene ii , Othello repeats , in an ironic way , the vow he made in Act I , scene iii , to Brabantio .
( emphases mine ) It is in the very last scenes of the play , after Iago's last trick has been disclosed and after ... In Act V , scene ii , Othello repeats , in an ironic way , the vow he made in Act I , scene iii , to Brabantio .
Стр. 131
For example , the murder scene in The Primitive parodies the murder scene in Othello , but Jesse's perception of women seems not to be parody but an expression of the sexist view of women similar to that found in the play .
For example , the murder scene in The Primitive parodies the murder scene in Othello , but Jesse's perception of women seems not to be parody but an expression of the sexist view of women similar to that found in the play .
Стр. 162
The first two scenes are about Othello , but never once is his name mentioned . ... Toward the beginning of Act III , scene iii , lago makes his insinuations , and by the middle of the scene , not only does Othello see Desdemona's ...
The first two scenes are about Othello , but never once is his name mentioned . ... Toward the beginning of Act III , scene iii , lago makes his insinuations , and by the middle of the scene , not only does Othello see Desdemona's ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers