Othello: New Essays by Black WritersMythili Kaul Howard University Press, 1997 - Всего страниц: 223 The theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 116
... never was the " maiden never bold " whose " spirit " was " so still " that " her motion blushed " at itself ; who modestly " shunned " any kind of courtship and would not be wooed even by the cream of Venetian society . The Duke , to ...
... never was the " maiden never bold " whose " spirit " was " so still " that " her motion blushed " at itself ; who modestly " shunned " any kind of courtship and would not be wooed even by the cream of Venetian society . The Duke , to ...
Стр. 151
... never be right . ' But he was quick to qualify this seemingly profound truth : " [ I ] f we can never be right , it is better that we should from time to time change our way of being wrong " ( 126 ) . No play of Shakespeare demands this ...
... never be right . ' But he was quick to qualify this seemingly profound truth : " [ I ] f we can never be right , it is better that we should from time to time change our way of being wrong " ( 126 ) . No play of Shakespeare demands this ...
Стр. 173
... never possesses the power or desire to subvert civic and natural order " ( 161 ) . To this charge of co - optation or " Uncle Tomism " in Othello , I would respond that Othello uses ingratiation , purposely , to smooth his way in a ...
... never possesses the power or desire to subvert civic and natural order " ( 161 ) . To this charge of co - optation or " Uncle Tomism " in Othello , I would respond that Othello uses ingratiation , purposely , to smooth his way in a ...
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Black or Tawny? Stage Representations | 1 |
Or Ego in Love Sex and | 23 |
Would Direct Othello | 29 |
Авторские права | |
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Aaron accepted action African Aldridge Aldridge's American argues audience Baraka beautiful becomes Bianca black actors black writers blackamoor blackface Brabantio Cassio century character Christian Cinthio's color Crabtree critics culture Cyprus daughter demona Desdemona discourse dramatic Duke Earle Hyman Elizabethan ello Emilia essay ethic father handkerchief hero human Iago Iago's Ira Aldridge Ishmael Reed jealousy killed lago lago's language Levantine Lodovico Lula marriage marry MARYSE CONDÉ Michael Cassio morality drama murder narrative nature Negro nigger noble Moor O. J. Simpson once Othello and Desdemona Paul Robeson performance play Othello Puttbutt race racial racism reading references relationship Roderigo role scene seduction seems semiotic sense sexual Shakespeare signifies Signoria of Venice slave soul speak speech stage story strategies suggests symbolic tells theater thee thing thou Tokson tradition tragedy tragic truth Turk Venetian white male white woman women words