Othello: New Essays by Black WritersThe theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 31
... for centuries to humanize Othello , a character who perhaps was never meant to be more than a caricature . Because women are real people , with real human feeling , they have been striving for centuries to humanize Desdemona ...
... for centuries to humanize Othello , a character who perhaps was never meant to be more than a caricature . Because women are real people , with real human feeling , they have been striving for centuries to humanize Desdemona ...
Стр. 116
She obviously never was the “ maiden never bold ” whose “ spirit ” was “ so still ” that “ her motion blushed ” at itself ; who modestly “ shunned ” any kind of courtship and would not be wooed even by the cream of Venetian society .
She obviously never was the “ maiden never bold ” whose “ spirit ” was “ so still ” that “ her motion blushed ” at itself ; who modestly “ shunned ” any kind of courtship and would not be wooed even by the cream of Venetian society .
Стр. 151
Literature and Racism : The Example of Othello S. E. OGUDE I T ور S. Eliot once remarked that about " anyone as great as Shakespeare , it is probable that we can never be right . " But he was quick to qualify this seemingly profound ...
Literature and Racism : The Example of Othello S. E. OGUDE I T ور S. Eliot once remarked that about " anyone as great as Shakespeare , it is probable that we can never be right . " But he was quick to qualify this seemingly profound ...
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Or Ego in Love Sex and | 23 |
From Japanese by Spring | 77 |
Shakespeare Intend Othello to Be Black? | 91 |
Авторские права | |
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accepted action actor African Aldridge American appear argues audience beautiful becomes begins believe Brabantio called Cassio century character Christian color critics culture Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic example expressed face fact father feel final forces further give given hand human Iago killed lago lago's language later leads light lines look male marriage marry meaning Moor moral murder narrative nature Negro never noble observes once Othello performance physical play present question race racial racism reading references relationship represented Robeson Roderigo role scene seems Senate sense sexual Shakespeare signifies society soul speak speech stage story suggests symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman women writers