Othello: New Essays by Black WritersMythili Kaul Howard University Press, 1997 - Всего страниц: 223 The theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 7
... face , explaining that he had " gone through so much fatigue and trouble in blacking his face " for the previous performance of Othello that rather than undergo the same painful process again he had sat up the whole night without ...
... face , explaining that he had " gone through so much fatigue and trouble in blacking his face " for the previous performance of Othello that rather than undergo the same painful process again he had sat up the whole night without ...
Стр. 81
... face . His countenance flagged for a moment before reassuming the su- percilious demeanor . Like many Eurocentric Professors , as they were being called in the newspapers , he regarded Shakespeare as little more than a cultural hammer ...
... face . His countenance flagged for a moment before reassuming the su- percilious demeanor . Like many Eurocentric Professors , as they were being called in the newspapers , he regarded Shakespeare as little more than a cultural hammer ...
Стр. 165
... face to face , of her pure , proud , astonishing smooth - skinned beauty . " He adds , rather significantly , " In later life , of course , I learned that an infatuation for a beautiful white mistress on the part of a black boy was not ...
... face to face , of her pure , proud , astonishing smooth - skinned beauty . " He adds , rather significantly , " In later life , of course , I learned that an infatuation for a beautiful white mistress on the part of a black boy was not ...
Содержание
Black or Tawny? Stage Representations | 1 |
Or Ego in Love Sex and | 23 |
Would Direct Othello | 29 |
Авторские права | |
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Aaron accepted action African Aldridge Aldridge's American argues audience Baraka beautiful becomes Bianca black actors black writers blackamoor blackface Brabantio Cassio century character Christian Cinthio's color Crabtree critics culture Cyprus daughter demona Desdemona discourse dramatic Duke Earle Hyman Elizabethan ello Emilia essay ethic father handkerchief hero human Iago Iago's Ira Aldridge Ishmael Reed jealousy killed lago lago's language Levantine Lodovico Lula marriage marry MARYSE CONDÉ Michael Cassio morality drama murder narrative nature Negro nigger noble Moor O. J. Simpson once Othello and Desdemona Paul Robeson performance play Othello Puttbutt race racial racism reading references relationship Roderigo role scene seduction seems semiotic sense sexual Shakespeare signifies Signoria of Venice slave soul speak speech stage story strategies suggests symbolic tells theater thee thing thou Tokson tradition tragedy tragic truth Turk Venetian white male white woman women words