Othello: New Essays by Black WritersMythili Kaul Howard University Press, 1997 - Всего страниц: 223 The theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 58
... beautiful in its childlike simplicity and honesty , but it betrays no sense of psychological depths or insights on Othello's part . He refutes the charges against him , of witchcraft and betrayal of loyalty , by placing his story within ...
... beautiful in its childlike simplicity and honesty , but it betrays no sense of psychological depths or insights on Othello's part . He refutes the charges against him , of witchcraft and betrayal of loyalty , by placing his story within ...
Стр. 91
... beautiful Desdemona , is not movitated by racial considera- tions but because the Moor " is an outsider . " In his attempt to eradicate racism as a central theme of the play , Dowling argues : " Of course there's racism here . Brabantio ...
... beautiful Desdemona , is not movitated by racial considera- tions but because the Moor " is an outsider . " In his attempt to eradicate racism as a central theme of the play , Dowling argues : " Of course there's racism here . Brabantio ...
Стр. 180
... beautiful , but naive and wayward romantic who wanders into dark and forbidden waters ; still others have claimed that her Christ - like forgiveness of Othello is so ideal that it unfits her as a true sounding board for meaning in a ...
... beautiful , but naive and wayward romantic who wanders into dark and forbidden waters ; still others have claimed that her Christ - like forgiveness of Othello is so ideal that it unfits her as a true sounding board for meaning in a ...
Содержание
Black or Tawny? Stage Representations | 1 |
Or Ego in Love Sex and | 23 |
Would Direct Othello | 29 |
Авторские права | |
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Aaron accepted action African Aldridge Aldridge's American argues audience Baraka beautiful becomes Bianca black actors black writers blackamoor blackface Brabantio Cassio century character Christian Cinthio's color Crabtree critics culture Cyprus daughter demona Desdemona discourse dramatic Duke Earle Hyman Elizabethan ello Emilia essay ethic father handkerchief hero human Iago Iago's Ira Aldridge Ishmael Reed jealousy killed lago lago's language Levantine Lodovico Lula marriage marry MARYSE CONDÉ Michael Cassio morality drama murder narrative nature Negro nigger noble Moor O. J. Simpson once Othello and Desdemona Paul Robeson performance play Othello Puttbutt race racial racism reading references relationship Roderigo role scene seduction seems semiotic sense sexual Shakespeare signifies Signoria of Venice slave soul speak speech stage story strategies suggests symbolic tells theater thee thing thou Tokson tradition tragedy tragic truth Turk Venetian white male white woman women words