Othello: New Essays by Black WritersMythili Kaul Howard University Press, 1997 - Всего страниц: 223 The theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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... accepted by the audience . The audience's acceptance of the black character cannot , however , be interpreted as sympathy or friendliness . Racial consciousness or racial prejudice existed in the sixteenth and seventeenth centuries in ...
... accepted by the audience . The audience's acceptance of the black character cannot , however , be interpreted as sympathy or friendliness . Racial consciousness or racial prejudice existed in the sixteenth and seventeenth centuries in ...
Стр. 56
... accepted divisions between " West and East , " " us and them , " " white and black . " In Othello , Venice and its Senate embody order , reason , justice , and concord - binding forces that hold the city together . Cyprus , on the other ...
... accepted divisions between " West and East , " " us and them , " " white and black . " In Othello , Venice and its Senate embody order , reason , justice , and concord - binding forces that hold the city together . Cyprus , on the other ...
Стр. 70
... accepted , Othello's speech in Act V , scene ii , might take on much more significance . Here Othello is trying to reclaim his old ethic , a balance between the " light " once provided by his handkerchief for both himself and his bond ...
... accepted , Othello's speech in Act V , scene ii , might take on much more significance . Here Othello is trying to reclaim his old ethic , a balance between the " light " once provided by his handkerchief for both himself and his bond ...
Содержание
Black or Tawny? Stage Representations | 1 |
Or Ego in Love Sex and | 23 |
Would Direct Othello | 29 |
Авторские права | |
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Aaron accepted action African Aldridge Aldridge's American argues audience Baraka beautiful becomes Bianca black actors black writers blackamoor blackface Brabantio Cassio century character Christian Cinthio's color Crabtree critics culture Cyprus daughter demona Desdemona discourse dramatic Duke Earle Hyman Elizabethan ello Emilia essay ethic father handkerchief hero human Iago Iago's Ira Aldridge Ishmael Reed jealousy killed lago lago's language Levantine Lodovico Lula marriage marry MARYSE CONDÉ Michael Cassio morality drama murder narrative nature Negro nigger noble Moor O. J. Simpson once Othello and Desdemona Paul Robeson performance play Othello Puttbutt race racial racism reading references relationship Roderigo role scene seduction seems semiotic sense sexual Shakespeare signifies Signoria of Venice slave soul speak speech stage story strategies suggests symbolic tells theater thee thing thou Tokson tradition tragedy tragic truth Turk Venetian white male white woman women words