The Contours of Masculine Desire: Romanticism and the Rise of Women's PoetryOxford University Press, 1989 - Всего страниц: 344 This is the first extended study of the role gender plays in the writing, reading, publishing, and reviewing of poetry in late 18th-century and early 19th-century Britain. Ross examines the ways in which Romanticism has been constructed, from the Romantic period to the present, as a masculine enterprise. He then traces the growth of a "feminine" poetic tradition from 1730 to 1830, showing the importance of this previously neglected tradition in the understanding of 19th-century British culture, and the development of current literary history, theory, and taste. |
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Стр. 12
... fear the kind of influence that almost silences Coleridge . If desire is indeed revolutionary , why does it reproduce itself in such a reactionary way ? How does desire come to authorize its own repression ? Or to put the question again ...
... fear the kind of influence that almost silences Coleridge . If desire is indeed revolutionary , why does it reproduce itself in such a reactionary way ? How does desire come to authorize its own repression ? Or to put the question again ...
Стр. 88
... fear of not having in- fluence , the fear of being influenced : from this perspective one must either influence or be influenced . Influence is based on a hierarchized dichotomy as fundamental to Western culture as good / evil , body ...
... fear of not having in- fluence , the fear of being influenced : from this perspective one must either influence or be influenced . Influence is based on a hierarchized dichotomy as fundamental to Western culture as good / evil , body ...
Стр. 253
... fear as wonder . Is there something monstrous lurking in this lady poetess that can infect me as well ? Is she the kind of creature we have been warned of so often ? Needless to say , their fear is interweaved with fascination and the ...
... fear as wonder . Is there something monstrous lurking in this lady poetess that can infect me as well ? Is she the kind of creature we have been warned of so often ? Needless to say , their fear is interweaved with fascination and the ...
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affection Alda anxiety attempt Augustan Baillie Barbauld beauty becomes begins bluestocking Byron Chorley claim Coleridge Coleridge's conquest critics crossdressing crucial culture death discourse domestic Dorothy Wordsworth dream Elmira emotion experience fame father feeling Felicia Hemans female poets feminine desire feminized Frankenstein gender genius heart Hemans Hemans's heroic human human bonds Ianthe individual influence Jewsbury Joanna Baillie Keats kind Lady Mary limits literary Maddalo male poets manly Mary Shelley Mary Tighe masculine desire Medon mind More's mother myth narrator nature nature's origin passion poem poet's poetess poetic poetry political Pope Pope's Popian Porphyro possess potential praise Prometheus Prometheus Unbound quest readers reality relation represents rivalry role romantic ideology romantic poet romanticism satire self-consciously self-possession sentiment shared desire Shelley Shelley's social soul sphere stanza Tasso Tighe tion tradition Tuckerman vision voice William Wordsworth woman women poets women writers words Wordsworth Wordsworthian write
Ссылки на эту книгу
Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen Adela Pinch Ограниченный просмотр - 1996 |
Mothers of the Nation: Women's Political Writing in England, 1780–1830 Anne K. Mellor Ограниченный просмотр - 2000 |