The Contours of Masculine Desire: Romanticism and the Rise of Women's PoetryOxford University Press, 1989 - Всего страниц: 344 This is the first extended study of the role gender plays in the writing, reading, publishing, and reviewing of poetry in late 18th-century and early 19th-century Britain. Ross examines the ways in which Romanticism has been constructed, from the Romantic period to the present, as a masculine enterprise. He then traces the growth of a "feminine" poetic tradition from 1730 to 1830, showing the importance of this previously neglected tradition in the understanding of 19th-century British culture, and the development of current literary history, theory, and taste. |
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Стр. 25
... becomes chivalric jousting trans- formed to meet the conditions of a social system in which power manifests itself no longer in physical strength but in the strength of various kinds of cognitive and metaphorical exchanges . It becomes ...
... becomes chivalric jousting trans- formed to meet the conditions of a social system in which power manifests itself no longer in physical strength but in the strength of various kinds of cognitive and metaphorical exchanges . It becomes ...
Стр. 90
... becomes influenced by her . And in romantic ideology , God becomes dependent on man , the creature he has created as the object of his absolute influence . Or , as Shelley so frequently expresses both implicitly and explicitly in his ...
... becomes influenced by her . And in romantic ideology , God becomes dependent on man , the creature he has created as the object of his absolute influence . Or , as Shelley so frequently expresses both implicitly and explicitly in his ...
Стр. 92
... becomes weakest where the other is strongest , and vice versa , and he himself becomes weak- est where he is strongest , as his strongest stance becomes the most compelling point of attack for another poet desiring to prove his strength ...
... becomes weakest where the other is strongest , and vice versa , and he himself becomes weak- est where he is strongest , as his strongest stance becomes the most compelling point of attack for another poet desiring to prove his strength ...
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affection Alda anxiety attempt Augustan Baillie Barbauld beauty becomes begins bluestocking Byron Chorley claim Coleridge Coleridge's conquest critics crossdressing crucial culture death discourse domestic Dorothy Wordsworth dream Elmira emotion experience fame father feeling Felicia Hemans female poets feminine desire feminized Frankenstein gender genius heart Hemans Hemans's heroic human human bonds Ianthe individual influence Jewsbury Joanna Baillie Keats kind Lady Mary limits literary Maddalo male poets manly Mary Shelley Mary Tighe masculine desire Medon mind More's mother myth narrator nature nature's origin passion poem poet's poetess poetic poetry political Pope Pope's Popian Porphyro possess potential praise Prometheus Prometheus Unbound quest readers reality relation represents rivalry role romantic ideology romantic poet romanticism satire self-consciously self-possession sentiment shared desire Shelley Shelley's social soul sphere stanza Tasso Tighe tion tradition Tuckerman vision voice William Wordsworth woman women poets women writers words Wordsworth Wordsworthian write
Ссылки на эту книгу
Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen Adela Pinch Ограниченный просмотр - 1996 |
Mothers of the Nation: Women's Political Writing in England, 1780–1830 Anne K. Mellor Ограниченный просмотр - 2000 |