The Contours of Masculine Desire: Romanticism and the Rise of Women's PoetryOxford University Press, 1989 - Всего страниц: 344 This is the first extended study of the role gender plays in the writing, reading, publishing, and reviewing of poetry in late 18th-century and early 19th-century Britain. Ross examines the ways in which Romanticism has been constructed, from the Romantic period to the present, as a masculine enterprise. He then traces the growth of a "feminine" poetic tradition from 1730 to 1830, showing the importance of this previously neglected tradition in the understanding of 19th-century British culture, and the development of current literary history, theory, and taste. |
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Стр. 30
... Byron sketches of Moore and Bowles , however , could well be used against Byron himself . No poet masters the art of emotional manipu- lation better than he , none exploits the combination of pathos , wildness , and passion more ...
... Byron sketches of Moore and Bowles , however , could well be used against Byron himself . No poet masters the art of emotional manipu- lation better than he , none exploits the combination of pathos , wildness , and passion more ...
Стр. 31
... Byron is awakened to the harsh reality of manly combat in a world where many claim to be strong but few succeed . In Byron and his Fictions , Peter Manning lucidly demonstrates how crucial is the tension between unmanly vulnerability ...
... Byron is awakened to the harsh reality of manly combat in a world where many claim to be strong but few succeed . In Byron and his Fictions , Peter Manning lucidly demonstrates how crucial is the tension between unmanly vulnerability ...
Стр. 33
... Byron transforms repressed unmanly feeling into the expressions of commanding art , Moore uses to assert Byron's manly virtue and the vir- tuous manliness of poetic genius in general . In discussing Byron's response to his mother's ...
... Byron transforms repressed unmanly feeling into the expressions of commanding art , Moore uses to assert Byron's manly virtue and the vir- tuous manliness of poetic genius in general . In discussing Byron's response to his mother's ...
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affection Alda anxiety attempt Augustan Baillie Barbauld beauty becomes begins bluestocking Byron Chorley claim Coleridge Coleridge's conquest critics crossdressing crucial culture death discourse domestic Dorothy Wordsworth dream Elmira emotion experience fame father feeling Felicia Hemans female poets feminine desire feminized Frankenstein gender genius heart Hemans Hemans's heroic human human bonds Ianthe individual influence Jewsbury Joanna Baillie Keats kind Lady Mary limits literary Maddalo male poets manly Mary Shelley Mary Tighe masculine desire Medon mind More's mother myth narrator nature nature's origin passion poem poet's poetess poetic poetry political Pope Pope's Popian Porphyro possess potential praise Prometheus Prometheus Unbound quest readers reality relation represents rivalry role romantic ideology romantic poet romanticism satire self-consciously self-possession sentiment shared desire Shelley Shelley's social soul sphere stanza Tasso Tighe tion tradition Tuckerman vision voice William Wordsworth woman women poets women writers words Wordsworth Wordsworthian write
Ссылки на эту книгу
Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen Adela Pinch Ограниченный просмотр - 1996 |
Mothers of the Nation: Women's Political Writing in England, 1780–1830 Anne K. Mellor Ограниченный просмотр - 2000 |