人文科学研究, キリスト教と文化, Выпуски 11-15国際基督教大学キリスト教と文化研究所, 1976 |
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Стр. 119
ECCLESIASTICAL ARCHITECTURE IN THE PAINTING OF MATSUMOTO SHUNSUKE DONALD F. MCCALLUM 1. Introduction The development of oil painting in Japan since the Meiji period is as yet inadequately studied . On the one hand , most art historians ...
ECCLESIASTICAL ARCHITECTURE IN THE PAINTING OF MATSUMOTO SHUNSUKE DONALD F. MCCALLUM 1. Introduction The development of oil painting in Japan since the Meiji period is as yet inadequately studied . On the one hand , most art historians ...
Стр. 127
... painting the structure from a variety of angles . It is difficult to determine exactly why the artist was so fascinated with Nicolai Cathedral as a motif . Perhaps the exotic character of the building appealed to Shunsuke , offering him ...
... painting the structure from a variety of angles . It is difficult to determine exactly why the artist was so fascinated with Nicolai Cathedral as a motif . Perhaps the exotic character of the building appealed to Shunsuke , offering him ...
Стр. 129
... painting , it is apparent that for Shunsuke it was an extremely im- portant trait , one on which he seems to have lavished as much attention as he did on composition . Why should this have been the case ? It might be suggested ...
... painting , it is apparent that for Shunsuke it was an extremely im- portant trait , one on which he seems to have lavished as much attention as he did on composition . Why should this have been the case ? It might be suggested ...
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Aeneid amae Antony and Cleopatra argument basic become believe Book Buber Buddhism Christ Christian church concept contrast criticism culture death discussion divine Doctor Faustus doctrine Emperor Tenmu Empress Jito eternal ethics Euripides existence expression fact faith fatum Hossō human Hume ibid International Christian University interpretation Japan Japanese Japanese Buddhism Jesus Jitō Kafka Kant Kant's Keats language liberal theology living Mann meaning merum merus metaphysical Milton modern moral nature Nicolai Cathedral object Oedipus op.cit painting Paradise Lost Paul Tillich person Philo philosophy play poem possible problem Professor Pyncheon question reality relation relationship religion religious experience seems sense Shakespeare Shunsuke Shunsuke's significance speak structure STUART D. B. PICKEN suggest suicide symbol Testament theologians theology things thou thought Tillich tion Tokyo tradition typology University words ある すなわち である 参照 幽玄 幽玄体 頌詩