Play Directing: Analysis, Communication, and StyleAllyn and Bacon, 2000 - Всего страниц: 396 ""Play Directing" is about the leader of an artistic enterprise--the play director in today's theatre. The book describes the various roles a director plays, from calling the plays to orchestrating and blending a symphony of actors and elements. The author emphasizes that the role of the director is not as a dictator, but as a leader of multiple craftsmen who look to the director for ideas that will give impetus to their fullest, most creative expressions." This book emphasizes that directing is not a finite and specific system of production, but rather is a venue for providing an intensive look at the structure of plays, of acting and actor-ownership, and of all the other crafts that together make a produced play. Readers are guided through the whole process of working on a play from style to analysis, including its relationship to moving pictures and television. They are encouraged to use this foundation as a basis from which to set their own goals as creative and dedicated leaders." For anyone interested in Play Direction or Theatre Study. |
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Стр. 90
... individual on the stage before any arrangement of groups can take place . The purpose here is to see the individual isolated in order to assess his potential force in a group arrangement . Body positions . Stage right and stage left are ...
... individual on the stage before any arrangement of groups can take place . The purpose here is to see the individual isolated in order to assess his potential force in a group arrangement . Body positions . Stage right and stage left are ...
Стр. 273
... individual statement . Style , then , is both the individualization of art form and the way of moving spectators ( those who only look ) and audiences ( those who both hear and look ) . Interpretation Is Criticism Interpretation is the ...
... individual statement . Style , then , is both the individualization of art form and the way of moving spectators ( those who only look ) and audiences ( those who both hear and look ) . Interpretation Is Criticism Interpretation is the ...
Стр. 328
... individual work of others . A director's style as the individual product he assembles out of this exploitation . It should now be clear to you that a director can only be what he is as a person : the strength of his artistic perception ...
... individual work of others . A director's style as the individual product he assembles out of this exploitation . It should now be clear to you that a director can only be what he is as a person : the strength of his artistic perception ...
Содержание
Why the Director? | 1 |
TAKING A PLAY APART | 15 |
Idea and Rhythmic Beats | 43 |
Авторские права | |
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acting areas actors actually approach architectural arena stage Arthur Miller audience aware basic blocking bridge music Chapter character-mood-intensity climactic color comedy composition concept convention costume creative criticism Crucible decorum delineate developed dialogue directing director director-actor communication discussion Doctor Faustus dramatic action effect emphasis EXERCISES experience exploit feel Figure force furniture gesture given circumstances groundplan hand properties hear Hedda Gabler historical ideas illustration imagination important improvisation individual intensive lighting look makeup means modern Molière moods motion pictures move movement musical theatre open-thrust Photo play-analysis play's playscript playwright positions possible problem production proscenium stage Realism rehearsal relationship rhythm scene scenery scenic sense set properties sort sound space specific speech stage lighting structure style style-analysis subtext suggested technique tempos theatre theatrical tion tors understand unit upstage values verbs visual VISUAL PERCEPTION words