Dramatic Micellanies [sic]: Consisting of Critical Observations on Several Plays of Shakspeare: with a Review of His Principal Characters, and Those of Various Eminent Writers, as Represented by Mr. Garrick, and Other Celebrated Comedians. ... By Thomas Davies, ... In Three Volumes. ...author, and sold at his shop, 1783 - Всего страниц: 2 |
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acted actor admirable affumed againſt almoſt Antony audience Beaumont and Fletcher beſt Booth Brutus Caffius Catiline character Cibber Cicero Cleopatra Colley Cibber comedians comedy confequence Cordelia death Engliſh Epicure expreffion faid fame fatire fays fcene feems feen feveral fhall fince firft firſt fituation flaves fome foon fpectators fpirit ftage fubject fuch fuffer fuperior fuppofe fure Garrick himſelf honour humour huſband Johnſon Jonfon Julius Cæfar King Lady laſt Lear Leonard Diggs Lope de Rueda Macbeth Macduff Mark Antony maſter merit moft moſt murder muſt Notwithſtanding obfervations paffage paffion perfon play players pleaſe pleaſure poet preſent Quin racters raiſed reaſon refembling repreſentation repreſented reſtored revived Roman Roman actors ſay ſcene ſeems Sejanus ſeveral Shakspeare Shakspeare's ſhe ſhould Silent Woman ſkill ſpeak ſtage ſtate Steevens ſtill ſuppoſe taſte theatre thefe theſe thofe thoſe tion tragedy uſe Volpone whofe Wilks word writer
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Стр. 318 - Methinks I should know you, and know this man; Yet I am doubtful; for I am mainly' ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me ; For, as I am a man, I think this lady To be my child Cordelia.
Стр. 255 - He only, in a general honest thought, And common good to all, made one of them. His life was gentle, and the elements So mix'd in him that Nature might stand up And say to all the world, 'This was a man!
Стр. 210 - Set honour in one eye and death i' the other, And I will look on both indifferently; For let the gods so speed me as I love The name of honour more than I fear death.
Стр. 317 - tis fittest. Cor. How does my royal lord? How fares your majesty? Lear. You do me wrong, to take me out o' the grave. — Thou art a soul in bliss ; but I am bound Upon a wheel of fire, that mine own tears Do scald like molten lead.
Стр. 265 - I was many years ago so shocked by Cordelia's death, that I know not whether I ever endured to read again the last scenes of the play till I undertook to revise them as an editor.
Стр. 147 - What hands are here? ha! they pluck out mine eyes! Will all great Neptune's ocean wash this blood Clean from my hand? No; this my hand will rather The multitudinous seas incarnadine, Making the green one red.
Стр. 20 - element,' but the word is over-worn. \Exit. Vio. This fellow is wise enough to play the fool ; And to do that well craves a kind of wit : He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye.
Стр. 128 - He made darkness his secret place, his pavilion round about Him with dark water, and thick clouds to cover Him.
Стр. 279 - But we should reflect, that Lear is not agitated by one passion only, that he is not moved by rage, by grief, and indignation, singly, but by a tumultuous combination of them all together, where all claim to be heard at once, and where one naturally interrupts the progress of the other.
Стр. 355 - Ant. Come on, my soldier! Our hearts and arms are still the same : I long Once more to meet our foes; that thou and I, Like Time and Death, marching before our troops, May taste fate to them ; mow them out a passage, And, entering where the foremost squadrons yield, Begin the noble harvest of the field.