A Manner of Speaking: For Effective CommunicationPutnam, 1961 - Всего страниц: 362 |
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Стр. 15
... expression , then by tonal expression , and finally by verbal expression . In terms of communicative force or dominance , the three types of communication should be ranked in the same order . If , for example , a person should speak in ...
... expression , then by tonal expression , and finally by verbal expression . In terms of communicative force or dominance , the three types of communication should be ranked in the same order . If , for example , a person should speak in ...
Стр. 18
... expression of the speaker is perceived through the eyes of the listener . The three types of expression arouse within the listener certain thoughts and feelings that he expresses more or less unconsciously by posture and movement ...
... expression of the speaker is perceived through the eyes of the listener . The three types of expression arouse within the listener certain thoughts and feelings that he expresses more or less unconsciously by posture and movement ...
Стр. 41
... expression is the most dominant ? 3. Which type of expression is the least dominant ? 4. Which type of expression is the most versatile ? 5. Why is the average person very uncritical of his own speech ? 6. Distinguish between ...
... expression is the most dominant ? 3. Which type of expression is the least dominant ? 4. Which type of expression is the most versatile ? 5. Why is the average person very uncritical of his own speech ? 6. Distinguish between ...
Содержание
THE STRENGTH AND BASIC QUALITY OF THE VOICE | 88 |
THE REPRESENTATION OF SPEECH SOUNDS | 115 |
EAR TRAINING | 152 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
accent actor adjustment air molecules amplitude articulation attempt attitudes audience auditory breath pressure Caesar cavity cavity resonators changes communication consonant sounds cultured degree develop dictionary diphthong ear training Edna Ferber effective eliminate emotional enunciation example force emphasis frequency Fricative Consonant glottis Gunga Din habits of vocalization hear improve indicated inflections larynx listeners loudness manner of speaking means Method mouth muscles muscular nasal nasal cavities normal one's pauses physical Practice reading pronunciation quality of voice reading the following recognized relatively resonator result rhythm sense sentences skill social inhibitions soft palate sound wave speaker speech intonation pattern speech materials speech personality speech situation speech sounds spelling spontaneous stage fright standard substitute syllables symbols thee thoughts and feelings tion tonal expression tongue usually uttered variations verbal vibrating vocal cords vocal instrument vocal quality vocal tones voice quality vowel sounds W. S. Gilbert William Shakespeare words