The Comedy of Philosophy: Sense and Nonsense in Early Cinematic Slapstick

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SUNY Press, 5 июн. 2008 г. - Всего страниц: 276
The Comedy of Philosophy brings modern debates in continental philosophy to bear on the historical study of early cinematic comedy. Through the films of Mack Sennett, Buster Keaton, Charlie Chaplin, Harold Lloyd, and the Marx Brothers, Lisa Trahair investigates early cinema s exploration of sense and nonsense by utilizing the contributions to the philosophy of comedy made by Freud and Bataille and by examining significant poststructuralist interpretations of their work. Trahair explores the shift from the excessive physical slapstick of the Mack Sennett era to the so-called structural comedy of the 1920s, and also offers a new perspective on the importance of psychoanalysis for the study of film by focusing on the implications of Freud s theory of the unconscious for our understanding of visuality.
 

Содержание

Introduction
1
The Philosophy of Laughter Bataille Hegel and Derrida
15
Restricted and General Economy Narrative Gag and Slapstick in One Week
35
The Machine of Comedy Gunning Deleuze and Buster Keaton
59
Fools Gold Metamorphoses in Sherlock Jr
87
Jokes and Their Relation to
105
The Comic Degradation and Refinement in 1920s Cinematic Slapstick
125
From Words to Images Gagging
147
Figural Vision Freud Lyotard and City Lights
169
Preposterous Figurality Comic Cinema and Bad Metaphor
191
Notes
213
Bibliography
241
Index
251
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Об авторе (2008)

Lisa Trahair is Senior Lecturer in Film Studies at the University of New South Wales.

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