The Sovereign Flower: On Shakespeare as the Poet of Royalism Together with Related Essays and Indexes to Earlier VolumesRoutledge, 28 окт. 2013 г. - Всего страниц: 328 First published in 2002. This is the final Volume IV of the five G. Wilson Knight collected works series and focuses on Shakespeare as the Poet of Royalism together with related essays and indexes to earlier volumes. The emphasis in this volume is the shift from Shakespeare as the poet of England to Shakespeare as the poet of royalism, in a wide sense. |
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... whole stamped by the chivalric symbol of Saint George and aspiring to Christian sanctions. This Shakespearian royalty, conceived in the reign of Elizabeth I, is not dead; it has lived since, within the story of Great Britain; 1 and it ...
... whole stamped by the chivalric symbol of Saint George and aspiring to Christian sanctions. This Shakespearian royalty, conceived in the reign of Elizabeth I, is not dead; it has lived since, within the story of Great Britain; 1 and it ...
Стр. 13
... whole stamped by the chivalric symbol of Saint George and aspiring to Christian sanctions . This Shakespearian royalty , conceived in the reign of Elizabeth I , is not dead ; it has lived since , within the story of Great Britain ; 1 ...
... whole stamped by the chivalric symbol of Saint George and aspiring to Christian sanctions . This Shakespearian royalty , conceived in the reign of Elizabeth I , is not dead ; it has lived since , within the story of Great Britain ; 1 ...
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... whole series , except for the Comedies , which nevertheless have each its ' duke ' , can be felt to turn on a single axle , to exist within a single , national and royal , framework . II Roses at War In Shakespeare's historical plays we ...
... whole series , except for the Comedies , which nevertheless have each its ' duke ' , can be felt to turn on a single axle , to exist within a single , national and royal , framework . II Roses at War In Shakespeare's historical plays we ...
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... whole , just as the King himself , in his unworldly , generous weakness , is the central figure . Much of Shakespeare's future drama is implicit in Henry VI , our thoughts being pointed ahead variously to other Histories and greater ...
... whole , just as the King himself , in his unworldly , generous weakness , is the central figure . Much of Shakespeare's future drama is implicit in Henry VI , our thoughts being pointed ahead variously to other Histories and greater ...
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... whole play is against him . He is himself nearer to the dragon , and is accordingly driven up against a logical paradox : Our ancient word of courage , fair Saint George , Inspire us with the spleen of fiery dragons ! ( v . iii . 350 ) ...
... whole play is against him . He is himself nearer to the dragon , and is accordingly driven up against a logical paradox : Our ancient word of courage , fair Saint George , Inspire us with the spleen of fiery dragons ! ( v . iii . 350 ) ...
Содержание
7 | |
Well | 93 |
Whats in a Name? | 161 |
A Literature and the Nation | 263 |
cA Royal Propaganda | 273 |
The Second Part of King Henry VI and Macbeth | 280 |
E The Principles of Shakespeare Interpretation 1928 | 287 |
A Shakespearian Works | 297 |
General | 318 |
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action already Antony and Cleopatra appears balance becomes Bertram blood Caesar called Christian close comes Compare contrast criticism Crown death dramatic effect Elizabethan England English especially evil exists express eyes father feel felt final follow force given gives greater Hamlet hand hath heart Heaven Helena Henry hold honour human imperial important interpretation Italy King Lear later less lines live lord Macbeth matters meaning Measure mind nature never once Parolles peace perhaps phrase play poetic poetry positive present Prince recalls recognize reference regard Richard Roman royal royalty scene seems seen sense sexual Shakespeare's Shakespearian significance speak speech spiritual suggestion symbolic Tempest theme thing thou thought throughout Timon tragedy tragic true turn universal values virginity virtue whole young