The Sovereign Flower: On Shakespeare as the Poet of Royalism Together with Related Essays and Indexes to Earlier VolumesRoutledge, 28 окт. 2013 г. - Всего страниц: 328 First published in 2002. This is the final Volume IV of the five G. Wilson Knight collected works series and focuses on Shakespeare as the Poet of Royalism together with related essays and indexes to earlier volumes. The emphasis in this volume is the shift from Shakespeare as the poet of England to Shakespeare as the poet of royalism, in a wide sense. |
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... the whole series, except for the Comedies, which nevertheless have each its 'duke', can be felt to turn on a single axle, to exist within a single, national and royal, framework. II Roses at War In Shakespeare's historical plays we have.
... the whole series, except for the Comedies, which nevertheless have each its 'duke', can be felt to turn on a single axle, to exist within a single, national and royal, framework. II Roses at War In Shakespeare's historical plays we have.
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... felt to turn on a single axle , to exist within a single , national and royal , framework . II Roses at War In Shakespeare's historical plays we have studies of inter- nal disorder during the centuries leading to the England of ...
... felt to turn on a single axle , to exist within a single , national and royal , framework . II Roses at War In Shakespeare's historical plays we have studies of inter- nal disorder during the centuries leading to the England of ...
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... felt , by relative or suppor- ter , as rich , sweet , potent , yet piteous . Neither side has any monopoly of these images : the terrible Margaret can be as pathetic as anyone . In the three parts of Henry VI the horrors of war are care ...
... felt , by relative or suppor- ter , as rich , sweet , potent , yet piteous . Neither side has any monopoly of these images : the terrible Margaret can be as pathetic as anyone . In the three parts of Henry VI the horrors of war are care ...
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... felt as ejecting from her own constitution , as a foul disease , the tyrannous and bloody thing which she has so often since opposed in other nations ; and the play ends with some great lines by Richmond on the peace won by his vic ...
... felt as ejecting from her own constitution , as a foul disease , the tyrannous and bloody thing which she has so often since opposed in other nations ; and the play ends with some great lines by Richmond on the peace won by his vic ...
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... felt groping towards inde- pendence . The nation's relationship to the continent , and especially to the Church of Rome , is subtly presented , together with a feeling for England's true strength , dependent on two things , which are ...
... felt groping towards inde- pendence . The nation's relationship to the continent , and especially to the Church of Rome , is subtly presented , together with a feeling for England's true strength , dependent on two things , which are ...
Содержание
7 | |
Well | 93 |
Whats in a Name? | 161 |
A Literature and the Nation | 263 |
cA Royal Propaganda | 273 |
The Second Part of King Henry VI and Macbeth | 280 |
E The Principles of Shakespeare Interpretation 1928 | 287 |
A Shakespearian Works | 297 |
General | 318 |
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