The Supernatural in TragedyHarvard University Press, 1915 - Всего страниц: 370 |
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Стр. 6
... ment of any artistic use of the supernatural . The art which deals with such themes must be not merely representative but evocative , calling forth all the dubious suggestions which may lurk in even the most commonplace objects and ...
... ment of any artistic use of the supernatural . The art which deals with such themes must be not merely representative but evocative , calling forth all the dubious suggestions which may lurk in even the most commonplace objects and ...
Стр. 42
... ment , and that he can obtain a more striking effect by famil- iarizing the audience with this novel concept before actually disclosing it , rather than by presenting it suddenly in all its unfamiliarity . We are thus led to expect an ...
... ment , and that he can obtain a more striking effect by famil- iarizing the audience with this novel concept before actually disclosing it , rather than by presenting it suddenly in all its unfamiliarity . We are thus led to expect an ...
Стр. 45
... ment for his offence . Orestes comes before Athena fully convinced that he has been purified : " The bloodstain slumbers and withers from my hand , the pollution of a 99 ( 280 f . ) . mother's blood is GREEK TRAGEDY 45.
... ment for his offence . Orestes comes before Athena fully convinced that he has been purified : " The bloodstain slumbers and withers from my hand , the pollution of a 99 ( 280 f . ) . mother's blood is GREEK TRAGEDY 45.
Стр. 52
... ment of the vengeance is only the prelude to new woe . The Elektra , on the contrary , opens amid all the freshness of dawn , and in full daylight the work of vengeance is brought to a triumphant conclusion , over which no hint of fresh ...
... ment of the vengeance is only the prelude to new woe . The Elektra , on the contrary , opens amid all the freshness of dawn , and in full daylight the work of vengeance is brought to a triumphant conclusion , over which no hint of fresh ...
Стр. 56
... ment inflicted on the hard heart . But even if we accept this interpretation of Kreon's character , the Antigone cannot be regarded as a successful instance of the use of the supernatural to determine the course of a plot . So far we ...
... ment inflicted on the hard heart . But even if we accept this interpretation of Kreon's character , the Antigone cannot be regarded as a successful instance of the use of the supernatural to determine the course of a plot . So far we ...
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Часто встречающиеся слова и выражения
action actual Agamemnon Aischylos allusions angel antiquity Apollo apparition appears artistic Athena begins bids bring Caesar character Choephoroi Chorus Christ classical comes conception contrast course curse cycles dead death declares decorative detail deus ex machina devils Dionysos divine dramatist dream effect Elektra Elizabethan English enters episode Erinyes Eumenides Euripidean Euripides example expository expression father final forces Furies ghost give Gods Gorlois Greek tragedy Hamlet Hell Hippolytos human Ibsen idea imaginative imitation impressive instance interest Julian king Klytaimestra L'Intruse Locrine Lucifer lyric Macbeth Maximus medieval ment merely method miracle-plays mortal motives murder native tradition natural Oidipous Oresteia Orestes Pentheus period play plot prologue result reveal revenge revenge-ghost sacred drama Satan says scene Seneca Shakespeare shows slain Sophokles soul Spanish Tragedy speech spirit stage super supernatural supernatural element supernatural figures Teiresias terror theme thou tion Towneley tragic treatment underworld vengeance wholly witches woes
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Стр. 350 - What man dare, I dare: Approach thou like the rugged Russian bear, The arm'd rhinoceros, or the Hyrcan tiger; Take any shape but that, and my firm nerves Shall never tremble...
Стр. 314 - I'm after seeing him this day, and he riding and galloping. Bartley came first on the red mare; and I tried to say, "God speed you," but something choked the words in my throat. He went by quickly; and "the blessing of God on you," says he, and I could say nothing.
Стр. 225 - For God's sake, let us sit upon the ground And tell sad stories of the death of kings...
Стр. 247 - And Caesar's spirit, ranging for revenge, With Ate" by his side come hot from hell, Shall in these confines with a monarch's voice Cry " Havoc," and let slip the dogs of war; That this foul deed shall smell above the earth With carrion men, groaning for burial.
Стр. 269 - mongst troops of spirits : No ring of bells to our ears sounds, No howls of wolves, no yelps of hounds ; No, not the noise of water's breach, Or cannon's throat our height can reach.
Стр. 192 - Sol, qui terrarum flammis opera omnia lustras, tuque harum interpres curarum et conscia luno, nocturnisque Hecate triviis ululata per urbes, et Dirae ultrices et di morientis Elissae, <31o accipite haec meritumque malis advertite numen et nostras audite preces.
Стр. 311 - Where nobody gets old and godly and grave, Where nobody gets old and crafty and wise, Where nobody gets old and bitter of tongue...
Стр. 260 - fore me. Now I ha't : — how strong Imagination works ! how she can frame Things which are not ! Methinks she stands afore me, And by the quick idea of my mind, Were my skill pregnant, I could draw her picture. Thought, as a subtle juggler, makes us deem Things supernatural, which yet have cause Common as sickness.
Стр. 100 - Atreus: durum hoc sane: talis enim interitus non est sine gravi sensu; illa inania ipse summis saxis fixus asperis, evisceratus, latere pendens, saxa spargens tabo, sanie et sanguine atro.
Стр. 232 - Now I remember those old women's words, Who in my wealth ' would tell me winter's tales, And speak of spirits and ghosts that glide by night About the place where treasure hath been hid...