Makers of Literary Criticism, Том 2Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1967 |
Результаты поиска по книге
Результаты 1 – 3 из 73
Стр. 9
... pleasure which co - exists with it . It will now be proper to answer an obvious question , namely , why , professing these opinions have I written in verse ? To this in the first place I reply , because , however I may have restricted ...
... pleasure which co - exists with it . It will now be proper to answer an obvious question , namely , why , professing these opinions have I written in verse ? To this in the first place I reply , because , however I may have restricted ...
Стр. 10
... pleasure — an effect which is in a great degree to be ascribed to small , but continual and regular impulses of pleasurable surprise from the metrical arrangement . On the other hand ( what it must be allowed will much more frequently ...
... pleasure — an effect which is in a great degree to be ascribed to small , but continual and regular impulses of pleasurable surprise from the metrical arrangement . On the other hand ( what it must be allowed will much more frequently ...
Стр. 174
... pleasure which exists in pain . This is the source also of the melancholy which is inseparable from the sweetest melody . The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself . And hence the saying , " It is ...
... pleasure which exists in pain . This is the source also of the melancholy which is inseparable from the sweetest melody . The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself . And hence the saying , " It is ...
Содержание
Foreword | 1 |
NOTE TO THE THORN 1800 | 15 |
ESSAY SUPPLEMENTARY TO The Preface 1815 | 33 |
Авторские права | |
Не показаны другие разделы: 13
Другие издания - Просмотреть все
Makers of Literary Criticism, Том 2 Balachandra Rajan,Arapura Ghevarghese George Просмотр фрагмента - 1965 |
Часто встречающиеся слова и выражения
admiration Aeschylus appear artist beauty become Bishop Colenso character Chaucer colour common composition conscious criticism Dante delight diction distinction divine drama effect English English poetry estimate Euripides excellence excitement existence expression fact faculty fancy feeling French Revolution genius Goethe harmony heart Herodotus human ideas Iliad images imagination impression instance intellectual judgement kind language less lines literary literature living Lyrical Ballads manner means metre metrical Milton mind moral nation nature never novel object original Paradise Lost passages passion pathetic fallacy peculiar perfect perhaps Petrarch philosophical Pindar pleasure poem poet poet's poetical poetry practical praise present principle produced prose reader religion rhyme seems sense sentiment Shakespeare song Sophocles soul speak spirit stanza style taste things thou thought true truth verse Voltaire whole words Wordsworth Wordsworthian writings