Makers of Literary Criticism, Том 2Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1967 |
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Стр. 87
... equally , if not more than equally , the appropriate effect of strong excitement ) whatever generalizations of truth or experience the heat of passion may produce ; yet the terms of their conveyance must have pre - existed in his former ...
... equally , if not more than equally , the appropriate effect of strong excitement ) whatever generalizations of truth or experience the heat of passion may produce ; yet the terms of their conveyance must have pre - existed in his former ...
Стр. 91
... equally proper in a poem ; nor whether there are not beautiful lines and sentences of frequent occurrence in good poems , which would be equally becoming as well as beautiful in good prose ; for neither the one nor the other has ever ...
... equally proper in a poem ; nor whether there are not beautiful lines and sentences of frequent occurrence in good poems , which would be equally becoming as well as beautiful in good prose ; for neither the one nor the other has ever ...
Стр. 357
... equally with the novelist ; the standard of execution is equally high for each . Of course it is of execution that we are talking — that being the only point of a novel that is open to contention . This is perhaps too often lost sight ...
... equally with the novelist ; the standard of execution is equally high for each . Of course it is of execution that we are talking — that being the only point of a novel that is open to contention . This is perhaps too often lost sight ...
Содержание
Foreword | 1 |
NOTE TO THE THORN 1800 | 15 |
ESSAY SUPPLEMENTARY TO The Preface 1815 | 33 |
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Makers of Literary Criticism, Том 2 Balachandra Rajan,Arapura Ghevarghese George Просмотр фрагмента - 1965 |
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admiration Aeschylus appear artist beauty become Bishop Colenso character Chaucer colour common composition conscious criticism Dante delight diction distinction divine drama effect English English poetry estimate Euripides excellence excitement existence expression fact faculty fancy feeling French Revolution genius Goethe harmony heart Herodotus human ideas Iliad images imagination impression instance intellectual judgement kind language less lines literary literature living Lyrical Ballads manner means metre metrical Milton mind moral nation nature never novel object original Paradise Lost passages passion pathetic fallacy peculiar perfect perhaps Petrarch philosophical Pindar pleasure poem poet poet's poetical poetry practical praise present principle produced prose reader religion rhyme seems sense sentiment Shakespeare song Sophocles soul speak spirit stanza style taste things thou thought true truth verse Voltaire whole words Wordsworth Wordsworthian writings