Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 39The series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 1 through 10 present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Стр. 80
At the same time , however , though Falstaff seems a devotee of the senses and of their offspring , play and gaiety , by his buoyancy – for in Part I at least we never see him drunk or engrossed in the senses and for themselves alone ...
At the same time , however , though Falstaff seems a devotee of the senses and of their offspring , play and gaiety , by his buoyancy – for in Part I at least we never see him drunk or engrossed in the senses and for themselves alone ...
Стр. 81
... For those that could speak low and tardily Would turn their own perfection to abuse , To seem like him ; so that in ... the mistakes it inevitably results in regarding others and events , mistakes he seems to leap to to prove his ...
... For those that could speak low and tardily Would turn their own perfection to abuse , To seem like him ; so that in ... the mistakes it inevitably results in regarding others and events , mistakes he seems to leap to to prove his ...
Стр. 163
... Bedford defends his decision to appear on the battlefield despite his sickness by citing the example of Uther Pendragon ( III.ii.94-6 ) . ( We have just had our first sight of the new king , Henry VI , and this seems to reawaken the ...
... Bedford defends his decision to appear on the battlefield despite his sickness by citing the example of Uther Pendragon ( III.ii.94-6 ) . ( We have just had our first sight of the new king , Henry VI , and this seems to reawaken the ...
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Kingship | 1 |
Henry IV 1 and 2 | 72 |
Henry VI 1 2 and 3 | 153 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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