Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 39The series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 1 through 10 present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Richard faces nothingness because he has no role to play ; Isabel exemplifies nothingness because her role is nothing . ... as he alternately fashions the roles of “ king ” and “ beggar ” for himself , but this time the end result is ...
Richard faces nothingness because he has no role to play ; Isabel exemplifies nothingness because her role is nothing . ... as he alternately fashions the roles of “ king ” and “ beggar ” for himself , but this time the end result is ...
Стр. 366
The parts Richard plays with so much gustos are , in fact , social roles , which he can put on with a protean swiftness and ... scene with Lady Anne , belies his assertion , when he plays the role of the lover with stunning perfection .
The parts Richard plays with so much gustos are , in fact , social roles , which he can put on with a protean swiftness and ... scene with Lady Anne , belies his assertion , when he plays the role of the lover with stunning perfection .
Стр. 367
This is a role which he , with great gusto , plays before the audience , with whom he establishes , right from the beginning , an almost conspiratorial complicity . Richard acts for two audiences , the gulls in the play who are deceived ...
This is a role which he , with great gusto , plays before the audience , with whom he establishes , right from the beginning , an almost conspiratorial complicity . Richard acts for two audiences , the gulls in the play who are deceived ...
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Kingship | 1 |
Henry IV 1 and 2 | 72 |
Henry VI 1 2 and 3 | 153 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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