Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 39The series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 1 through 10 present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Стр. 125
lify the atten : , Your action ave York of N ence of rscores oke . ied , neve There begir : stica powe zbroke erated rathe refor ubra The rejection scene . 2 Henry IV . Act V , scene v . The Shakespeare Memorial Theatre ( 1951 ) . udder ...
lify the atten : , Your action ave York of N ence of rscores oke . ied , neve There begir : stica powe zbroke erated rathe refor ubra The rejection scene . 2 Henry IV . Act V , scene v . The Shakespeare Memorial Theatre ( 1951 ) . udder ...
Стр. 177
110 . ficient variety of action , for the incidents are too often of the same kind . ” Of the play's twenty - eight scenes , twelve take place on the battlefield , and the remainder consist for the most part of challenges and ...
110 . ficient variety of action , for the incidents are too often of the same kind . ” Of the play's twenty - eight scenes , twelve take place on the battlefield , and the remainder consist for the most part of challenges and ...
Стр. 284
Although its language and action seem at first awkwardly out of place in the ceremoniousness of Richard II , both gestures and language in fact resonate with the rest of the play , acting in counterpoint to the more obviously serious ...
Although its language and action seem at first awkwardly out of place in the ceremoniousness of Richard II , both gestures and language in fact resonate with the rest of the play , acting in counterpoint to the more obviously serious ...
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Kingship | 1 |
Henry IV 1 and 2 | 72 |
Henry VI 1 2 and 3 | 153 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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