Likenesses of Truth in Elizabethan and Restoration DramaClarendon Press, 1972 - Всего страниц: 174 |
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Стр. 17
... question and then condemns certain rigid categories of ' degree ' . It is modern criticism , and modern criticism only , that turns the play upside down and uses these categories to damn the Duchess . In fact , the drama itself ...
... question and then condemns certain rigid categories of ' degree ' . It is modern criticism , and modern criticism only , that turns the play upside down and uses these categories to damn the Duchess . In fact , the drama itself ...
Стр. 124
... question instead of answering it . But perhaps it is legitimate for a comedy to raise , then beg , moral questions if it does so in order to direct its appeal from any artificial aesthetic or moral structures back towards ordinary ...
... question instead of answering it . But perhaps it is legitimate for a comedy to raise , then beg , moral questions if it does so in order to direct its appeal from any artificial aesthetic or moral structures back towards ordinary ...
Стр. 167
... question where he dies . To that question , everybody in the theatre can only answer in the words of Kent , ' In your own kingdom , Sir ' . By the end of the play Lear deserves all the love and the respect he wanted so much at the ...
... question where he dies . To that question , everybody in the theatre can only answer in the words of Kent , ' In your own kingdom , Sir ' . By the end of the play Lear deserves all the love and the respect he wanted so much at the ...
Содержание
some dramatic and critical illusions and realities I | 1 |
theatrical illusions and realities in | 27 |
tragic facts | 51 |
Авторские права | |
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action actor alike Angelica Angelo argues audience behaviour Bellinda Brutus Cassius characters Claudio Collier comic Congreve Congreve's death dilemmas discussion dissembling Dorimant Dorimant's dramatic Duchess Duke Duke's Elizabethan emotional equivocation Etherege Etherege's fact Fainall Fainall's Faustus fools half of Measure Hamlet hero heroine human experience ideal illusions imagination Isabella Jeremy Collier Jonson judgement Julius Caesar justice King Lear Kyd's L. C. Knights Lady literal London Love for Love Loveit Macbeth Malcontent marriage Marston's Measure for Measure mercy Midsummer Night's Dream Millamant Mirabell Mirabell's Mode modern criticism moral moralistic nature never Oberon passion play play's playwright poet point of view Prospero reality religious imagery responses Restoration comedy Revenge Romeo and Juliet says scene seems Shakespeare Shakespeare gives shows social Spanish Tragedy stage Tempest theatre theatrical things tion tragic true truth ultimate Valentine Valentine's vices villain virtue William Congreve words