Likenesses of Truth in Elizabethan and Restoration DramaClarendon Press, 1972 - Всего страниц: 174 |
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Стр. 18
... given the way the world and its wayward inhabitants really do behave . For this reason , moralists throughout the century disapproved of the drama . It took the ingenuity of twentieth - century scholarship to reverse the dramatic ...
... given the way the world and its wayward inhabitants really do behave . For this reason , moralists throughout the century disapproved of the drama . It took the ingenuity of twentieth - century scholarship to reverse the dramatic ...
Стр. 99
... Given the furore aroused by Collier's Short View of the Im- morality and Profaneness of the English Stage , it is not surprising 2 Quotations are from The Complete Plays of William Congreve , ed . Herbert Davis ( Chicago , 1967 ) ...
... Given the furore aroused by Collier's Short View of the Im- morality and Profaneness of the English Stage , it is not surprising 2 Quotations are from The Complete Plays of William Congreve , ed . Herbert Davis ( Chicago , 1967 ) ...
Стр. 128
... given a world where our responses to people and situations inevitably grow more complex when more is known about them . Since the plot hardly moves at all , the movements of the play really are the progressive revelations of character ...
... given a world where our responses to people and situations inevitably grow more complex when more is known about them . Since the plot hardly moves at all , the movements of the play really are the progressive revelations of character ...
Содержание
some dramatic and critical illusions and realities I | 1 |
theatrical illusions and realities in | 27 |
tragic facts | 51 |
Авторские права | |
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action actor alike Angelica Angelo argues audience behaviour Bellinda Brutus Cassius characters Claudio Collier comic Congreve Congreve's death dilemmas discussion dissembling Dorimant Dorimant's dramatic Duchess Duke Duke's Elizabethan emotional equivocation Etherege Etherege's fact Fainall Fainall's Faustus fools half of Measure Hamlet hero heroine human experience ideal illusions imagination Isabella Jeremy Collier Jonson judgement Julius Caesar justice King Lear Kyd's L. C. Knights Lady literal London Love for Love Loveit Macbeth Malcontent marriage Marston's Measure for Measure mercy Midsummer Night's Dream Millamant Mirabell Mirabell's Mode modern criticism moral moralistic nature never Oberon passion play play's playwright poet point of view Prospero reality religious imagery responses Restoration comedy Revenge Romeo and Juliet says scene seems Shakespeare Shakespeare gives shows social Spanish Tragedy stage Tempest theatre theatrical things tion tragic true truth ultimate Valentine Valentine's vices villain virtue William Congreve words