Likenesses of Truth in Elizabethan and Restoration DramaClarendon Press, 1972 - Всего страниц: 174 |
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Стр. 69
... face to face with it they will , according to my experience , have the good taste and de- corum to keep still , and not interfere . . . . [ And ] we , who stand in lieu of the gods and have emancipated ourselves from the tyranny of ...
... face to face with it they will , according to my experience , have the good taste and de- corum to keep still , and not interfere . . . . [ And ] we , who stand in lieu of the gods and have emancipated ourselves from the tyranny of ...
Стр. 109
... faces and learn , to their alarm , that they have married each other . Marriage inevitably brings with it certain knowledge of the face behind the mask , and this knowledge frequently brings disillusionment . Thus Angelica and Valentine ...
... faces and learn , to their alarm , that they have married each other . Marriage inevitably brings with it certain knowledge of the face behind the mask , and this knowledge frequently brings disillusionment . Thus Angelica and Valentine ...
Стр. 138
... face the ultimate moral judge- ment . And the ultimate judgement which Shakespeare's characters face is not judgement by their royal peers , nor judgement by the gods , but judgement by common humanity itself , as represented by us , by ...
... face the ultimate moral judge- ment . And the ultimate judgement which Shakespeare's characters face is not judgement by their royal peers , nor judgement by the gods , but judgement by common humanity itself , as represented by us , by ...
Содержание
some dramatic and critical illusions and realities I | 1 |
theatrical illusions and realities in | 27 |
tragic facts | 51 |
Авторские права | |
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action actor alike Angelica Angelo argues audience behaviour Bellinda Brutus Cassius characters Claudio Collier comic Congreve Congreve's death dilemmas discussion dissembling Dorimant Dorimant's dramatic Duchess Duke Duke's Elizabethan emotional equivocation Etherege Etherege's fact Fainall Fainall's Faustus fools half of Measure Hamlet hero heroine human experience ideal illusions imagination Isabella Jeremy Collier Jonson judgement Julius Caesar justice King Lear Kyd's L. C. Knights Lady literal London Love for Love Loveit Macbeth Malcontent marriage Marston's Measure for Measure mercy Midsummer Night's Dream Millamant Mirabell Mirabell's Mode modern criticism moral moralistic nature never Oberon passion play play's playwright poet point of view Prospero reality religious imagery responses Restoration comedy Revenge Romeo and Juliet says scene seems Shakespeare Shakespeare gives shows social Spanish Tragedy stage Tempest theatre theatrical things tion tragic true truth ultimate Valentine Valentine's vices villain virtue William Congreve words