Likenesses of Truth in Elizabethan and Restoration DramaClarendon Press, 1972 - Всего страниц: 174 |
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Стр. 21
... audience ' can be illustrated by various twentieth- century appeals to the audience that was present at the opening night of Measure for Measure . And surely there is something inherently suspect about these pleas for the support of a ...
... audience ' can be illustrated by various twentieth- century appeals to the audience that was present at the opening night of Measure for Measure . And surely there is something inherently suspect about these pleas for the support of a ...
Стр. 24
... audience since then would still outweigh this statement because the original audience is dead as earth , but the audience provided by literary criticism survives . And perhaps it is the fittest to survive after all . Very likely it is ...
... audience since then would still outweigh this statement because the original audience is dead as earth , but the audience provided by literary criticism survives . And perhaps it is the fittest to survive after all . Very likely it is ...
Стр. 29
... audience , but his ' play's catastrophe ' pleases the soul of Andrea , a super- natural observer ( IV . v . 12 ) , and satisfies the audience at The Spanish Tragedy itself , an audience which has been coached through- out the action to ...
... audience , but his ' play's catastrophe ' pleases the soul of Andrea , a super- natural observer ( IV . v . 12 ) , and satisfies the audience at The Spanish Tragedy itself , an audience which has been coached through- out the action to ...
Содержание
some dramatic and critical illusions and realities I | 1 |
theatrical illusions and realities in | 27 |
tragic facts | 51 |
Авторские права | |
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action actor alike Angelica Angelo argues audience behaviour Bellinda Brutus Cassius characters Claudio Collier comic Congreve Congreve's death dilemmas discussion dissembling Dorimant Dorimant's dramatic Duchess Duke Duke's Elizabethan emotional equivocation Etherege Etherege's fact Fainall Fainall's Faustus fools half of Measure Hamlet hero heroine human experience ideal illusions imagination Isabella Jeremy Collier Jonson judgement Julius Caesar justice King Lear Kyd's L. C. Knights Lady literal London Love for Love Loveit Macbeth Malcontent marriage Marston's Measure for Measure mercy Midsummer Night's Dream Millamant Mirabell Mirabell's Mode modern criticism moral moralistic nature never Oberon passion play play's playwright poet point of view Prospero reality religious imagery responses Restoration comedy Revenge Romeo and Juliet says scene seems Shakespeare Shakespeare gives shows social Spanish Tragedy stage Tempest theatre theatrical things tion tragic true truth ultimate Valentine Valentine's vices villain virtue William Congreve words