Likenesses of Truth in Elizabethan and Restoration DramaClarendon Press, 1972 - Всего страниц: 174 |
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Стр. 51
... Measure for Measure We ourselves esteem not of that obedience , or love , or gift , which is of force . MILTON It is an old paradox of literary history that certain works which confront their critics with conspicuous flaws ( like Measure ...
... Measure for Measure We ourselves esteem not of that obedience , or love , or gift , which is of force . MILTON It is an old paradox of literary history that certain works which confront their critics with conspicuous flaws ( like Measure ...
Стр. 52
... Measure for Measure differs from The Malcontent - a comparable and very successful tragi- comedy - followed by a discussion of key difficulties with Measure for Measure can help explain why it remains a great play which haunts the ...
... Measure for Measure differs from The Malcontent - a comparable and very successful tragi- comedy - followed by a discussion of key difficulties with Measure for Measure can help explain why it remains a great play which haunts the ...
Стр. 57
... Measure for Measure makes a direct assault on the emotions . For this Mincoff's response seems to me to be much truer to this the play than a critical approach which assumes that we are de- tached , distant , and uninvolved , unmoved ...
... Measure for Measure makes a direct assault on the emotions . For this Mincoff's response seems to me to be much truer to this the play than a critical approach which assumes that we are de- tached , distant , and uninvolved , unmoved ...
Содержание
some dramatic and critical illusions and realities I | 1 |
theatrical illusions and realities in | 27 |
tragic facts | 51 |
Авторские права | |
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action actor alike Angelica Angelo argues audience behaviour Bellinda Brutus Cassius characters Claudio Collier comic Congreve Congreve's death dilemmas discussion dissembling Dorimant Dorimant's dramatic Duchess Duke Duke's Elizabethan emotional equivocation Etherege Etherege's fact Fainall Fainall's Faustus fools half of Measure Hamlet hero heroine human experience ideal illusions imagination Isabella Jeremy Collier Jonson judgement Julius Caesar justice King Lear Kyd's L. C. Knights Lady literal London Love for Love Loveit Macbeth Malcontent marriage Marston's Measure for Measure mercy Midsummer Night's Dream Millamant Mirabell Mirabell's Mode modern criticism moral moralistic nature never Oberon passion play play's playwright poet point of view Prospero reality religious imagery responses Restoration comedy Revenge Romeo and Juliet says scene seems Shakespeare Shakespeare gives shows social Spanish Tragedy stage Tempest theatre theatrical things tion tragic true truth ultimate Valentine Valentine's vices villain virtue William Congreve words