Likenesses of Truth in Elizabethan and Restoration Drama

accept according action alike Angelo appears argues asks attitude audience become beginning bring Caesar calls certainly characters comedy comic concerned concludes Congreve Congreve's consequences course create criticism death discussion Dorimant dramatic Dream Duke Elizabethan emotional equally equivocation experience face fact Fainall feel fools forces frequently given gives half hero historical human ideal imagination individual instance interpretation Isabella judgement Juliet justice kind Lady limits lines live London Love for Love Macbeth meaning Measure for Measure Mirabell Mode modern criticism moral nature never passion play play's playwright point of view possible present problems Prospero Providence question reality reason religious remain responses Restoration comedy Romeo says scene seems Shakespeare shows situation social stage suffering Tempest theatrical things throughout tion tragedy tragic true truth turn ultimate values vices virtue