Shakespearean CriticismCengage Gale, 2002 - Всего страниц: 432 This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Стр. 26
... stage in the opposite direction ' ( p . 95 ) . And Peter Brook left Isa- bella centre stage apparently considering what she should do - almost asking the audience for guidance . These seem to me to be interesting experiments - but ...
... stage in the opposite direction ' ( p . 95 ) . And Peter Brook left Isa- bella centre stage apparently considering what she should do - almost asking the audience for guidance . These seem to me to be interesting experiments - but ...
Стр. 180
... stage . We were visually introduced to Romeo when he was sitting on this stage " as " rebel without a cause , smoking and writing poetry . We have seen Mercu- tio dance in drag with his friends ( also in costume ) on this stage before ...
... stage . We were visually introduced to Romeo when he was sitting on this stage " as " rebel without a cause , smoking and writing poetry . We have seen Mercu- tio dance in drag with his friends ( also in costume ) on this stage before ...
Стр. 289
Michelle Lee. The final stage in this transitional development is expressed in Amiens ' song at the end of Act II ( II.vii.174- 90 ) . This is the stage of pastoral timelessness which Halio , and other critics before him , noted as the ...
Michelle Lee. The final stage in this transitional development is expressed in Amiens ' song at the end of Act II ( II.vii.174- 90 ) . This is the stage of pastoral timelessness which Halio , and other critics before him , noted as the ...
Содержание
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Авторские права | |
Не показаны другие разделы: 9
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
Часто встречающиеся слова и выражения
action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young