Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - Всего страниц: 594 In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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Стр. vi
... reference point for most of the other commentators on this poem . In a similar way , Paul Brown's cultural critique of The Tempest serves as a reference point , or even as a starting point , for critics who argue for other ways to read ...
... reference point for most of the other commentators on this poem . In a similar way , Paul Brown's cultural critique of The Tempest serves as a reference point , or even as a starting point , for critics who argue for other ways to read ...
Стр. 24
... reference to the norms of lan- guage , that it is possible . This is the criterion of legitimacy : the reading must be permissible within the public norms of the langue in which the text was composed . The second criterion is that of ...
... reference to the norms of lan- guage , that it is possible . This is the criterion of legitimacy : the reading must be permissible within the public norms of the langue in which the text was composed . The second criterion is that of ...
Стр. 161
... reference to linguistic norms that lie outside the text , in order to gauge the poetic qualities of a text by the degree it deviates from these presupposed extratextual norms . This ar- gument , however , is not the core of Riffaterre's ...
... reference to linguistic norms that lie outside the text , in order to gauge the poetic qualities of a text by the degree it deviates from these presupposed extratextual norms . This ar- gument , however , is not the core of Riffaterre's ...
Содержание
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Авторские права | |
Не показаны другие разделы: 44
Часто встречающиеся слова и выражения
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing