Personal Forces in Modern LiteratureJ.M. Dent & Company, 1906 - Всего страниц: 228 |
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Стр. 7
... style expressed most admirably the temper and tone of the writer . It was a beautiful style - not beautiful with the rich glow of Ruskin's penmanship ; nor with the grace- ful urbanity of Arnold ; nor with the fantastic suggestiveness ...
... style expressed most admirably the temper and tone of the writer . It was a beautiful style - not beautiful with the rich glow of Ruskin's penmanship ; nor with the grace- ful urbanity of Arnold ; nor with the fantastic suggestiveness ...
Стр. 8
... style are disappointed on a first acquaintance , and this is explicable if they look for those qualities that impress one so in Martineau and Ruskin . There is a severe simplicity about it which bewilders those who connect a fine style ...
... style are disappointed on a first acquaintance , and this is explicable if they look for those qualities that impress one so in Martineau and Ruskin . There is a severe simplicity about it which bewilders those who connect a fine style ...
Стр. 9
... style , we are struck by certain per- sonal characteristics which help to explain the deep and far - reaching influence of the man . First , I think , a peculiar power of sensitive sympathy . His was not a dominating personality that ...
... style , we are struck by certain per- sonal characteristics which help to explain the deep and far - reaching influence of the man . First , I think , a peculiar power of sensitive sympathy . His was not a dominating personality that ...
Стр. 27
... style , in the mystical piety of his devotional writings , in that charming old - world courtesy and sweetness of manner . It was the first thing that struck the listener who had the privilege to hear Dr Martineau discourse on some ...
... style , in the mystical piety of his devotional writings , in that charming old - world courtesy and sweetness of manner . It was the first thing that struck the listener who had the privilege to hear Dr Martineau discourse on some ...
Стр. 38
... style is too heavily charged with ornament to give it that instantaneous power which the lucid periods of Newman invariably possessed . There was a lack of illustration and an avoidance of current problems which made them less ...
... style is too heavily charged with ornament to give it that instantaneous power which the lucid periods of Newman invariably possessed . There was a lack of illustration and an avoidance of current problems which made them less ...
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Часто встречающиеся слова и выражения
admiration Agnostic Agnosticism artist attracted beauty brilliant Browning char character characteristics Charles Lamb charm Christian Christmas Coleridge colour Copperfield criticism David Copperfield Dickens Dickens's dogma effect emotional essay ethical excellent expression fancy feeling friends genius George Eliot grotesques Hazlitt heart human humour Huxley Huxley's ideal imagination influence intellectual interesting James Martineau Keats and Rossetti Lamb Leslie Stephen less literary literature London look Martin Chuzzlewit mind moods moral mystic Nature ness never Newman painter passage passion pathos perhaps philosophy poems poet poetry prose Quincey R. H. Hutton religion religious remarkable satire seems sense sentiment Shelley soul sound spirit story style suggests sunrise sympathy temperament Tennyson theological things thinker THOMAS DE QUINCEY Thomas Henry Huxley thought tion touch truth vagabond vitality voice W. G. Ward Wilfrid Ward WILLIAM CAREW HAZLITT WILLIAM HAZLITT words Wordsworth writer
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Стр. 127 - I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But in embalmed darkness guess each sweet...
Стр. 95 - Winds thwarting winds bewildered and forlorn, The torrents shooting from the clear blue sky, The rocks that muttered close upon our ears, Black drizzling crags that spake by the way-side As if a voice were in them, the sick sight And giddy prospect of the raving stream, The unfettered clouds and region of the heavens, Tumult and peace, the darkness and the light, Were all like workings of one mind, the features Of the same face, blossoms upon one tree, Characters of the great Apocalypse, The types...
Стр. 132 - I met a lady in the meads Full beautiful - a faery's child, Her hair was long, her foot was light, And her eyes were wild.
Стр. 65 - The chess-board is the world, the pieces are the phenomena of the universe, the rules of the game are what we call the laws of Nature.
Стр. 98 - THE world is too much with us: late and soon, Getting and spending, we lay waste our powers: Little we see in Nature that is ours; We have given our hearts away, a sordid boon!
Стр. 119 - To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core ; To swell the gourd, and plump the hazel shells With a sweet kernel ; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer...
Стр. 119 - Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too, While barred clouds bloom the soft-dying day...
Стр. 159 - To sit on rocks, to muse o'er flood and fell, To slowly trace the forest's shady scene, Where things that own not man's dominion dwell, And mortal foot hath ne'er or rarely been ; To climb the trackless mountain all unseen, With the wild flock that never needs a fold ; Alone o'er steeps and foaming falls to lean ; This is not solitude ; 'tis but to hold Converse with Nature's charms, and view her stores unroll'd.
Стр. 106 - The floating Clouds their state shall lend To her ; for her the willow bend ; Nor shall she fail to see Even in the motions of the Storm Grace that shall mould the Maiden's form By silent sympathy.
Стр. 133 - The moon was at its edge. The thick black cloud was cleft, and still The Moon was at its side : Like waters shot from some high crag, The lightning fell with never a jag A river steep and wide.