Renaissance Figures of SpeechSylvia Adamson, Gavin Alexander, Katrin Ettenhuber Cambridge University Press, 20 дек. 2007 г. The Renaissance saw a renewed and energetic engagement with classical rhetoric; recent years have seen a similar revival of interest in Renaissance rhetoric. As Renaissance critics recognised, figurative language is the key area of intersection between rhetoric and literature. This book is the first modern account of Renaissance rhetoric to focus solely on the figures of speech. It reflects a belief that the figures exemplify the larger concerns of rhetoric, and connect, directly or by analogy, to broader cultural and philosophical concerns within early modern society. Thirteen authoritative contributors have selected a rhetorical figure with a special currency in Renaissance writing and have used it as a key to one of the period's characteristic modes of perception, forms of argument, states of feeling or styles of reading. |
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Стр. 19
... turn to the famous 'dead parrot' sketch from Monty Python, where an extended synonymia provided the script for a bravura performance of Cleese-ian comic excess: It's notpining, it's passed on. This parrotis no more. It has ceased to be ...
... turn to the famous 'dead parrot' sketch from Monty Python, where an extended synonymia provided the script for a bravura performance of Cleese-ian comic excess: It's notpining, it's passed on. This parrotis no more. It has ceased to be ...
Стр. 22
... turns 'round and round on the same spot like a dog that cannot make up its mind to lie down') and, like Bateson, he ... turn for the first answer to the questions I shall be addressing throughout this chapter: why was synonymia regarded ...
... turns 'round and round on the same spot like a dog that cannot make up its mind to lie down') and, like Bateson, he ... turn for the first answer to the questions I shall be addressing throughout this chapter: why was synonymia regarded ...
Стр. 28
... turning-point of the fortunes of the figure. It is the high-point because it demonstrates how pervasive synonymia had become in the styles of the period. Peacham, a representative rather than an exceptional writer, finds it necessary ...
... turning-point of the fortunes of the figure. It is the high-point because it demonstrates how pervasive synonymia had become in the styles of the period. Peacham, a representative rather than an exceptional writer, finds it necessary ...
Стр. 33
... turning its use into a self-consuming and ironically positioned manoeuvre. Perplexities also beset the reading of this verse example: Then comes my fit again. I had else been perfect, Whole as the marble, founded as the rock, As broad ...
... turning its use into a self-consuming and ironically positioned manoeuvre. Perplexities also beset the reading of this verse example: Then comes my fit again. I had else been perfect, Whole as the marble, founded as the rock, As broad ...
Стр. 47
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Содержание
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Раздел 2 | 39 |
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Раздел 4 | 52 |
Раздел 5 | 54 |
Раздел 6 | 55 |
Раздел 7 | 61 |
Раздел 8 | 81 |
Раздел 10 | 115 |
Раздел 11 | 133 |
Раздел 12 | 149 |
Раздел 13 | 167 |
Раздел 14 | 181 |
Раздел 15 | 197 |
Раздел 16 | 217 |
Раздел 17 | 237 |
Раздел 9 | 97 |
Другие издания - Просмотреть все
Renaissance Figures of Speech Sylvia Adamson,Gavin Alexander,Katrin Ettenhuber Ограниченный просмотр - 2007 |
Renaissance Figures of Speech Sylvia Adamson,Gavin Alexander,Katrin Ettenhuber Недоступно для просмотра - 2011 |
Часто встречающиеся слова и выражения
amplification Andrewes antanaclasis argument Aristotle audience authority Bacon Britomart Brutus’s Caesar catachresis century chapter character Cicero classical clauses conflated copia defined definition describe difficulty doth early-modern ekphrasis Elizabethan elocutio English Erasmus Erasmus’s example fiction figuration figurative figure figure of speech final finally find first Garden of Eloquence Greek hath Henry Peacham hyperbaton hyperbole hyperbole’s hysteron proteron identified imagination influence influential John Jonson judgement language Latin linguistic literary Lucrece Macbeth meaning metalepsis metaphor metonymy mind modern moral orator paradiastole parallel parison paronomasia periodic sentence person philosophical phrase play poetic poets preposterous prose prosopopoeia puns Puttenham Quintilian reader reading reflect Renaissance Rhetorica ad Herennium rhetorical rhetorical figure rhetorical theory semantic sense Shakespeare Sidney Sidney’s significance sixteenth-century speaking specifically structure style syllepsis syncrisis synonymia synonyms syntactic testimony things thought tion treatise tropes turn verse vices Virgil virtue Vives voice words writing