Renaissance Figures of SpeechSylvia Adamson, Gavin Alexander, Katrin Ettenhuber Cambridge University Press, 20 дек. 2007 г. The Renaissance saw a renewed and energetic engagement with classical rhetoric; recent years have seen a similar revival of interest in Renaissance rhetoric. As Renaissance critics recognised, figurative language is the key area of intersection between rhetoric and literature. This book is the first modern account of Renaissance rhetoric to focus solely on the figures of speech. It reflects a belief that the figures exemplify the larger concerns of rhetoric, and connect, directly or by analogy, to broader cultural and philosophical concerns within early modern society. Thirteen authoritative contributors have selected a rhetorical figure with a special currency in Renaissance writing and have used it as a key to one of the period's characteristic modes of perception, forms of argument, states of feeling or styles of reading. |
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Стр. 18
... rhetorical studies, apparently failing to interest either historians of rhetoric or the post- structuralist neo-rhetoricians, who have so notably revived (or re-invented) figures such as apostrophe, prosopopoeia, metonymy and metalepsis ...
... rhetorical studies, apparently failing to interest either historians of rhetoric or the post- structuralist neo-rhetoricians, who have so notably revived (or re-invented) figures such as apostrophe, prosopopoeia, metonymy and metalepsis ...
Стр. 23
... rhetorical excess, Love's Labour's Lost, synonymis- ing is represented as the trademark vice of the schoolmaster. Holofernes, whose name recalls Gargantua's tutor in Rabelais, enters the play in the very act: The deer was (as you know) ...
... rhetorical excess, Love's Labour's Lost, synonymis- ing is represented as the trademark vice of the schoolmaster. Holofernes, whose name recalls Gargantua's tutor in Rabelais, enters the play in the very act: The deer was (as you know) ...
Стр. 26
... rhetorical type of each variant. And in all cases – again following Erasmus's schema for teaching Latin – the first method of varying is by 'synonymia simplex'. So, for example, the section on the loss of time is most miserable begins ...
... rhetorical type of each variant. And in all cases – again following Erasmus's schema for teaching Latin – the first method of varying is by 'synonymia simplex'. So, for example, the section on the loss of time is most miserable begins ...
Стр. 29
... rhetorical handbook is constructed on the Erasmian design, being divided on functional principles, into figures of varying, amplifying and illustrating. But in marked contrast to Erasmus, his first figure of varying is not synonymia but ...
... rhetorical handbook is constructed on the Erasmian design, being divided on functional principles, into figures of varying, amplifying and illustrating. But in marked contrast to Erasmus, his first figure of varying is not synonymia but ...
Стр. 32
... rhetorical figure of asyndeton) and so are syntactically indistinguishable from items in a division or a simple list. Part of the aesthetic pleasure of synonymia, I want to suggest, was the delight in overcoming these difficulties to ...
... rhetorical figure of asyndeton) and so are syntactically indistinguishable from items in a division or a simple list. Part of the aesthetic pleasure of synonymia, I want to suggest, was the delight in overcoming these difficulties to ...
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Раздел 9 | 115 |
Раздел 10 | 133 |
Раздел 11 | 149 |
Раздел 12 | 167 |
Раздел 13 | 181 |
Раздел 14 | 197 |
Раздел 15 | 217 |
Раздел 16 | 237 |
Другие издания - Просмотреть все
Renaissance Figures of Speech Sylvia Adamson,Gavin Alexander,Katrin Ettenhuber Ограниченный просмотр - 2007 |
Renaissance Figures of Speech Sylvia Adamson,Gavin Alexander,Katrin Ettenhuber Недоступно для просмотра - 2011 |
Часто встречающиеся слова и выражения
Andrewes antanaclasis Antony appears argument Aristotle audience authority Bacon Book Britomart Brutus Caesar called catachresis century chapter character Cicero classical clauses Cleopatra copia definition describes discussion distinction doth early-modern effect ekphrasis Elizabethan elocutio English Erasmus example Garden of Eloquence Greek hath Henry Peacham hyperbaton hyperbole hysteron proteron illustration imagined instance John Jonson judgement kind language Latin linguistic literary logic Lucrece meaning metalepsis metaphor metonymy mind modern moral orator paradiastole parallel parison paronomasia passage periodic sentence person philosophical phrase play poetic poets praise preposterous prose prosopopoeia punning Puttenham Quintilian reader reading recognised redescription Renaissance reversal Rhetorica ad Herennium rhetorical figure rhetorical theory Roman scripture semantic sense Shakespeare Sidney Sidney's sixteenth-century speaking speech structure style Susenbrotus syllepsis syncrisis synecdoche synonymia synonyms syntactic testimony theorists things thought tion treatise tropes turn verse vices Virgil virtue Vives voice William Shakespeare words writing